Fashion
Shooting Katherline Lyndia for Wedding Magazine by Jonas B | FashionTV
http://www.FashionTV.com/videos JONAS B – Watch this bridal photoshoot for Wedding Magazine featuring photographer Katherline Lyndia, filmed by Jonas B.
www.JonasB.fr
Photographer : Katherline Lyndia Photography
Model : Camille Peysselon , Jan Burchard
MUA : Aline Le
Hair stylist : Kevin Jacotot
Designer : Belle en Blanc
Stylist : Ha
Videomaker : Jonas B’
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FashionTV’s YouTube network features coverage of fashion shows, fashion week, runway highlights, front row celebs, backstage, hair and makeup, models, designers, photo shoots, red carpets at the biggest events in Hollywood, and much more. The total source for worldwide fashion coverage, FashionTV has new uploads EVERY DAY – See it on YouTube first.
Fashion
Hair & Makeup – Models & Makeup Backstage at Nicole Farhi Spring/Summer 2013 | London Fashion Week | FashionTV
Models & Makeup Backstage at Nicole Farhi Spring/Summer 2013 | London Fashion Week
http://www.FashionTV.com/videos LONDON – FashionTV is backstage at the Nicole Farhi show during London Fashion Week Spring/Summer 2013 where the models are getting prepped for the show. The collection is full of leather, white, and pastel colors, according to model Emilia Nawarecka. Hair is pulled back in a retro, slicked half-up, half-down hairdo.
Appearances: Vika Falileeva, Andie Arthur, Vasilisa Pavlova, Emilia Nawarecka, Debora Muller, Anais Pouliot, Juju Ivanyuk, Chantal Stafford-Abbott
FashionTV “Fashion TV” FTV “Models & Makeup” Backstage “Nicole Farhi” Spring Summer 2013 “London Fashion Week” London “Fashion Week” “Vika Falileeva” “Andie Arthur” “Vasilisa Pavlova” “Emilia Nawarecka” “Debora Muller” “Anais Pouliot” “Juju Ivanyuk” “Chantal Stafford-Abbott” “Fashion Week” “Fashion Videos” “Fashion Show” “FTV Models” Fashion TV FashionTV.com FTV.com
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Fashion
Power of Duality by Eenk for F/W 26-27, Paris Fashion Week | FashionTV | FTV
Enjoy a collection where every piece tells two stories at once watching Eenk fall/winter 2026-2027 and find the silhouette that fits your identity! Eenk unveiled the fourth chapter of its ambitious Letter Project: D for Duplicity. For founder Hyemee Lee, duplicity is not a deception but a “sartorial truth” – a celebration of the two identities that occupy a single form without ever canceling each other out. The collection is a masterclass in tension and balance. Disciplined lines meet fluid volumes, exploring the space between femininity and masculinity, restraint and expansion. The garments themselves are chameleons: reversible coats and jackets turn inside out to reveal “other” selves, while shirts and outerwear shift their very architecture through clever buttoning. A palette of classic black, beige, and ivory is punctured by sudden jolts of vivid red, baby blue, and mint, anchored by a sculptural rose motif that weaves through the silhouettes like a recurring memory. The presentation was as multi-layered as the clothing. Accompanied by a dualistic performance from two dancers the show moved through themes of winter melting into spring. The beauty look, crafted with high-performance Uberliss products, emphasized this fluidity with a focus on shine and flexible texture.
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Fashion
fashiontv | FTV.com – Natsha Bedingfield Interview for fashion and music
fashiontv | FTV.com – Natasha Bedingfield interview at fashion tv
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Fashion
Tailored Surgery by Hodakova for F/W 26-27, Paris Fashion Week | FashionTV | FTV
Embrace the real self behind the facade with the fall/winter 2026-2027 collection of Hodakova, unveiled at Paris Fashion Week! This collection from Ellen Hodakova Larsson is a profound, quirky meditation on the vulnerability that exists just out of sight. She explores the disconnect between the carefully curated surfaces we present to the world and the raw, unpolished reality of the self. This philosophical musing manifested as a lineup of archetypal city slickers – figures clad in elongated tuxedo vests, sleeveless trench coats, and leather blousons that initially signaled nothing but high-powered professional poise. However, as models navigated a minimalist, abstract living room set, the “business at the front” facade gave way to a “pants at the back” reality, revealing bare skin and smart poplin boxer shorts that exposed the person behind the persona. Larsson’s genius for reconstruction was on full display as she repurposed the familiar into the fantastical: fur coats were flipped back-to-front to become makeshift bustiers, string instrument bows were transformed into fringed tops, and literal chairs were integrated into garments, wittily addressing the perennial seating shortage at fashion shows. Beyond the avant-garde theatrics, the collection maintained a strong pulse of commercial realism. Tailored jackets in chocolate and navy were expertly dissected and tacked onto smart blousons, while checked wool coats featured raw, decorative edges cut from the original garment. Ultimately, the show was a masterclass in garment surgery, proving that even when we are putting on a front, the true craft lies in what we choose to reveal.
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