Fashion
Eco-Gothic Sanctuary by Collina Strada for F/W 26-27, New York Fashion Week | FashionTV | FTV
Step out of the shadows, it’s time to find your sanctuary in the beautifully bizarre, radically transparent world of Collina Strada unveiled at New York Fashion Week! Hillary Taymour named her new show “The World Is a Vampire”, and who’s going to argue with her? Certainly nobody in the crowd of Collina Strada girlies she assembled tonight, many of whom were wearing her bug-eye sunglasses inside. The F/W 26-27 collection imagines this retreat with a gothic, ethereal grace. Snow falls delicately inside satin-lined snow globes, far from the “crusty banks of slippery, nasty ice” on the real New York streets. Models wrapped in translucent layers and rising organza collars suggested a protective, almost Victorian elegance repurposed for the modern activist. We start to fade from the mirror because we don’t reflect this brutal world; we’re only seen on our own terms. The world is trying to turn us, but we’re hanging on to humanity, even as our fangs sharpen with disillusionment. Despite all our rage, we are still just bats in a cage – but at least our fur is plant-based and our cage is Collina.
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Fashion
fashiontv | FTV.com – MARINA LYNCHUK + TAO OKAMOTO MODELS WOMAN FALL/WINTER 2010
The hottest girls on the runway Maryna linchuk + Tao Okamoto at the Milan Fashion Week F/W 2010-11
Music Info:
Performer: D-DUB
Title: DEEP BLUE
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Fashion
Model Sasha Luss | Beauty Trends for Spring/Summer 2015 | FashionTV
http://www.FashionTV.com/videos BEAUTY TRENDS – See the different looks and styles Sasha Luss takes on during Spring/Summer 2015 fashion week.
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Fashion
Dior F/W 26-27 Highlights: The Living Theater of the Tuileries, Paris Fashion Week
Experience the front-row magic of Dior’s Autumn/Winter 2026-2027 runway show unveiled at Paris Fashion Week!
Originally commissioned by Queen Catherine de’ Medici and later reimagined for Louis XIV, the Jardins des Tuileries has always served as the ultimate stage for seeing and being seen.
On the runway, Anderson brilliantly riffed on 18th-century codes, seamlessly building upon the successes of his debut collections.
The house toyed with the concept of formal dressing through deconstructed frock coats, peplum jackets, and bustle skirts rendered in candied almond shades, intricate Chantilly lace, and metallic jacquards.
Shrunken blazers and lampshade skirts arrived in baby-soft shearling, while cozy knits took on highly sculptural shapes. For a youthful nod to heritage, dotted Swiss ruffle skirts with long trains offered a fresh reimagining of Christian Dior’s legendary Junon gown, while the spiral cage dresses from his recent couture collection reappeared as ethereal clouds of soft, pleated fabric. Crucially, Anderson introduced incredibly chic, straightforward entry points into the Dior universe.
Ivory hammered-silk track pants adorned with covered bridal buttons, jeans with delicate ribbon embroidery, and plain robe coats worn as dresses brought a grounded, real-world sensibility to the high-fashion runway.
Masculine tailoring was subverted through a trompe-l’oeil houndstooth print on hand-pleated jackets and coats, underscoring the brand’s focus on evolutionary growth. “We’re going to get some things right, some things wrong,” Anderson reflected backstage, “but then each thing that is working, we just keep building on top of.” It is a philosophy that honors the past while marching confidently into daylight.
Ready to curate your ultimate fall wardrobe? Watch FashionTV for breaking trends and fresh styles!
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Fashion
BEST OF CANNES 2026: Eva Queen, Diane Kruger, Malgosia Bela, Sara Sampaio | Fatherland, Day 3
Just when we thought the Croisette couldn’t get any more glamorous, we found ourselves on the Red Carpet for the premiere of “Fatherland“!
Daiane Sodre turned heads in a jaw-dropping, architectural masterpiece by Geyanna Youness, flawlessly anchored by sleek Casadei heels. The brilliance continued as Aja Naomi King radiated pure, modern glamour in a regal, romantic gown by Tamara Ralph, elevated with intricate high jewelry from Pasquale Bruni.
Adding to the excitement, Eva Queen and Bach Buquen injected a wave of youthful, contemporary energy into the evening, keeping the crowd captivated with their sharp, trend-setting aesthetics.
Sara Sampaio shifted into high-fashion territory, trading her traditional classic silhouettes for a playful yet sultry Miu Miu look, while Julia Louis-Dreyfus defined movie-star elegance, gliding down the carpet in a beautifully embellished, sophisticated Jenny Packham gown.
Elsa Zylberstein delivered a masterclass in accessorizing, pairing her ensemble with radiant Chopard jewelry and a structural Roger Vivier bag. Ruth Negga brought a refreshing blend of sharp tailoring and romance in a striking Ami Paris look, beautifully tied together with sparkling Chopard details.
Mary Leest delivered pure red-carpet drama, floating up the stairs in an opulent, textured Rami Kadi gown, accessorized to perfection with Maison Antoine jewelry. Diane Kruger redefined modern chic, opting for an impeccably tailored, structural Givenchy gown paired with iconic, timeless diamonds from Tiffany & Co.
Demi Moore absolutely shut down the carpet, looking utterly spectacular in a sleek, customized Gucci gown that perfectly complemented her iconic look, accented by Chopard high jewelry. Finally, Małgosia Bela closed out the evening’s triumphs, delivering a masterclass in minimalist sensuality in a sleek, tailored-to-perfection Tom Ford silhouette.
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Fashion
BEST OF CANNES 2026: Romee Strijd, Araya A. Hargate, Nicky Hilton | The Beloved, Red Carpet Day 5
Want to feel like you’re standing front row on the Croisette?
Join us on the steps of the Palais des Festivals, which was bathed in pure cinematic romance, for the highly anticipated premiere of “The Beloved”.
As the acclaimed Cast of The Beloved arrived together, sparking a wave of applause across the Croisette, they set the stage for an evening defined by boundary-pushing style, timeless high-fashion partnerships, and unparalleled high jewelry.
The men’s styling reached new heights as Noah Schnapp turned heads in an impeccably tailored look by Karl Lagerfeld, perfectly anchored by sophisticated Manolo Blahnik shoes and a brilliant touch of refinement from Chaumet jewellery. The glamour only intensified as Ariadna Gutierrez commanded the carpet, exuding structural elegance in a breathtaking, sculptural gown by Stephane Rolland.
Meanwhile, Nicky Hilton Rothschild epitomized classic society elegance, floating up the steps in a stunning creation from Caroline’s Couture paired with radiant, light-catching Chopard jewellery. The night seamlessly blended bold textures with classic silhouettes.
Christina Milian brought vibrant energy and modern sophistication to the Riviera in a striking design by Nadine Merabi, flawlessly finished with sleek Saint Laurent shoes.
Fashion icon Araya A. Hargate delivered yet another masterclass in high-fashion drama, wearing an ethereal, show-stopping ensemble by Tamara Ralph beautifully complemented by masterfully crafted Boucheron jewellery.
Taking a more avant-garde approach, Constance Jablonski stunned onlookers in an edgy, artistic piece by Maison Margiela, perfectly balanced with contemporary, minimalist pieces from Dinh Van jewellery.
The spectacular style statements continued with Kate Alexeeva, who curated a meticulous, high-concept look featuring an Adamaris gown, dazzling Hassanzadeh jewellery, sharp McQueen shoes, and a chic Giorgia Viola bag. Nearby, Raline Shah radiated effortless regal grace, letting her spectacular, high-wattage Chopard jewellery serve as the brilliant focal point of her ensemble.
Finally, supermodel Romee Strijd brought the house down, epitomizing Riviera glamour in an exquisite, flowing gown from Caroline’s Couture, perfectly elevated by the brilliant craftsmanship of Parure Atelier jewellery.
Ready to witness every breathtaking detail, sweeping train, and shimmering diamond up close?
Watch the full footage of Cannes 2026 on FashionTV!
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