Fashion
Yasmin Le Bon in 110-Pound Gown at Stephane Rolland Show – Paris Couture Spring 2012 | FashionTV FTV
http://www.FTV.com/videos PARIS – Stephane Rolland’s Paris Haute Couture Week Spring/Summer 2012 runway show was inspired by the art of Michel Deverne, a French artist born in 1927 who created art and architecture out of aluminum, concrete and other materials and also guided several sculptures. Rolland used this idea of architectural design and sculptural for her collection using fabrics like chiffon, organza, and even ostrich feathers to bridge the line between architecture and elegance. Those fabrics appeared soft while pencil skirts and waists cinched with gold circular belts were more structured. Color combinations that typically clashed suddenly looked like they belonged together and unique tulip shapes in the waist and box shapes in the sleeves provided something architectural and different. The beauty of it was that when models moved, a 3D effect was created in the clothes.
By the way, Yasmin Le Bon ended the spectacular Rolland runway wearing a 110 pound silk jersey red dress with metal plates and a 147.5 foot train. She had to have two men walk with her to hold it up.
Appearances: Isabella Melo, Alana Zimmer, Stephane Rolland, Yasmin Le Bon
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Fashion
Sergio Davila: Oceanic Craft for S/S 27 | Milan Men Fashion Week
Explore the intersection of heritage craft and fluid modernism watching Sergio Davila’s historic Milan debut presentation now on FashionTV!
Peruvian designer Sergio Davila officially debuted on the prestigious Milan Fashion Week Men’s calendar with his Spring/Summer 2027 presentation.
Brought to life alongside presenting sponsor I Am The Ocean, the collection serves as a sweeping retrospective of a design language cultivated over twenty-five years across San Francisco, New York, Rome, and Peru.
Stepping into the presentation space, guests were enveloped in an atmospheric dialogue where the raw power of nature met the ultimate refinement of contemporary urban tailoring. The collection masterfully captures the essence of movement within static form, a concept heavily inspired by Davila’s recent time in Rome studying the works of Bernini.
The garments breathe alongside the body, utilizing exquisite natural fibers deeply rooted in Peruvian culture: precious Vicuña, weightless Baby Alpaca, crisp Pima cotton, and textured Tangüis cotton. The true centerpieces of the collection are the intricate, openwork crochet knitwear pieces, oversized cardigans, and highly tactile cable-knit jackets that introduce a beautifully relaxed, gender-fluid sensibility to menswear.
A fresh, sun-bleached palette of ivory, sand beige, and terracotta is seamlessly contrasted by structural pops of cobalt blue tailoring and architectural jackets. Enhanced by the vibrant, warm illustrations of artist Alvaro Felliu, the presentation perfectly bridges resort ease with high-concept urban sophistication.
Backed by the conscious ethos of I Am The Ocean, Davila’s S/S 27 lineup sets a new standard for sustainable luxury and ancestral preservation on the global stage.
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Fashion
Viktor & Rolf: Mirrored Rituals for F/W 26-27 | Paris Haute Couture Fashion Week
Delve into the ultimate contrast of gold and burlap and discover what lies beneath the shine watching the mesmerizing performance of Viktor & Rolf’s fall/winter 2026 haute couture collection on FashionTV!
On July 8, 2026, avant-garde design icons Viktor Horsting and Rolf Snoeren shook Paris Haute Couture Week with their groundbreaking collection, “Gilded Age 2.0”. The presentation stepped away from traditional runway formats, transforming the stage into a surreal, bedroom-like dream environment.
Within this intimate setting, models Nathalie Haerlemans and Elpida Voryas Georgiadi moved in hypnotic, mirrored synchrony, repeatedly dressing and undressing in a continuous loop to bring the garments to life. The entire collection of 24 looks was engineered as 12 pairs of exact structural doubles, designed to explore the friction between maximum decadence and absolute restraint.
While the silhouettes in each pair remained entirely identical, their meanings were radically transformed by a sharp contrast in textiles: opulent gold, crystalline embroidery, and metallic organza on one side, countered by raw, utilitarian jute and burlap on the other.
From plunging floor-length ruffled ballgowns to structured short coats featuring sleeves sculpted into massive bows, the material juxtaposition forced the audience to look past the surface.
In a brilliant conceptual finale, the thematic tension was written directly onto the garments themselves: a flared coat sculpted from raw jute bore the word “restraint” across its sleeves in three-dimensional lettering, while its golden twin proudly displayed the word “decadence” in dense crystal embroidery.
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Fashion
Imane Ayissi: Living Gestures for F/W 26-27 | Paris Haute Couture Fashion Week
Witness the power of ancestral textile heritage reimagined, watching the full Imane Ayissi Haute Couture collection on FashionTV!
On July 6, 2026, Franco-Cameroonian designer Imane Ayissi captivated Paris Haute Couture Week with the presentation of his latest collection in which African textile heritage meets French savoir-faire. Known as a revolutionary voice breaking rigid Eurocentric couture traditions, Ayissi utilized this season to establish a new, inclusive definition of global luxury – one where ancestral African craftsmanship balances perfectly with architectural precision.
The collection defies stillness, manifesting an emotional connection to nature through garments that effortlessly move between fluid grace and structural geometry. Ayissi’s signature mastery lies in his rejection of conventional luxury synthetic textiles, instead prioritizing absolute sustainability through raw, locally sourced, and intensely handcrafted materials from across the African continent.
This vision comes to life through dramatic fabric gestures and architectural forms that redefine the female silhouette with striking confidence, effortlessly blending into a bold, uncompromising color palette that injects profound depth and energy into the Autumn/Winter season.
Throughout the lineup, masterful integration of complex beadwork and vibrant floriate embroidery patterns ripple elegantly across the moving body. By merging meticulous French haute couture techniques with rare regional artisanal traditions, Imane Ayissi delivers a breathtaking testament to living fashion.
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Aelis Couture: Into the Wild for F/W 26-27 | Paris Haute Couture Fashion Week
Explore the breathtaking convergence of ancient sculpture and living fashion, watching the complete Aelis Couture F/W 2026–27 show on FashionTV!
Opening the final day of Paris Haute Couture Week on July 9, 2026, designer Sofia Crociani presented her most daring and intellectually profound collection yet for Aelis Couture. The F/W 2026-27 presentation went far beyond surface-level runway glamour, serving as a powerful manifesto on consumption, nature, and raw human identity.
Crociani, a veteran designer who honed her craft styling under John Galliano at Dior and working alongside Karl Lagerfeld, positioned her independent house at the cutting edge of “Art-to-Wear” couture, proving that radical environmental activism and elite, handmade luxury can seamlessly coexist.
The collection, while retaining the house’s signature ethereal lightness, introduced an unexpected, dark theatrical edge. The visual journey opened with a showstopping cape crafted from archival egret feathers – a poignant nod to the early 20th-century plume trade that hunted the birds to the brink of extinction. The color palette evolved dramatically, like a melting iceberg, shifting from icy blues and translucent whites to deep petrol blacks and dusty porcelain pinks.
Crociani’s legendary fluid drapery was subverted by striking, brutalist elements born from a collaboration with sculptor Arnaud Briand and the Grand Palais’ Atelier de Moulage. Together, they recreated the draped togas of Roman commanders, casting the pleats in plaster and black pigment to resemble concrete. This structural fragment rested heavily on the shoulder of a lead-gray duchesse satin gown lined in organic hemp, fastened with a historic Roman fibula clasp.
The most provocative and widely discussed boundary-pushing element of the season was Crociani’s poetic exploration of living matter, specifically keratin. Challenging the traditional hierarchy of luxury textiles, the atelier introduced ethically sourced human hair into the garments.
Models walked the runway in delicate, antique-pink silk tulle gowns, each embroidered with long strands of hair meticulously sewn into micro-pleats by artisan Silvia Barcucci.
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Zuhair Murad Commands Dark Enchantment for F/W 26-27 | Paris Haute Couture Week
Discover a moonlit kingdom of absolute power and midnight romance, watching the complete Zuhair Murad fall/winter 2026-27 haute couture show now on FashionTV!
Staged within the majestic, soaring arches of the historic College des Bernardins on July 8, 2026, Lebanese master couturier Zuhair Murad presented one of the most spellbinding highlights of Paris Haute Couture Week.
Titled “Love and Dominion,” the F/W 2026-27 collection leaned heavily into a dark, cinematic romanticism, drawing immediate comparisons across the fashion editorial landscape to a high-fantasy winter wonderland. Front-row muse Jennifer Lopez, alongside a star-studded audience of international fashion editors, watched Murad’s seasonal heroine walk a dark runway.
The collection masterfully balanced a fierce duality: a sovereign woman who is at once a tender fairy and an untouchable, protective sorceress, commanding her own magic as the world fractures around her. The runway was defined by an exquisite tension between heavy, defensive structure and absolute, weightless fluidity.
Murad weaponized rich duchesse satin, structured crepe, deep velvets, and radzimir to mold commanding, architectural silhouettes – from cinched corseted columns to expansive, high-drama ball gowns. These heavily sculpted forms were softened seamlessly by sweeping capes that billowed like a gathering storm and layered veils of sheer silk chiffon and tulle.
The color story heavily favored the mystery of a nocturnal winter forest, dominated by profound black, deep fir green, and saturated, rich wine tones, which were beautifully contrasted by unexpected flashes of light, pale pinks, and antique silver.
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@mariamacarenavillalpandova5363
March 8, 2024 at 6:51 am
Creo que en esta ponencia puede tener una amplia variedad de nuevos criterios por los cuales debemos de juzgar al derecho, el profesor desde el aula siempre nos ha propuesto el que critiquemos al derecho actual y que lo veamos desde una nueva perspectiva por lo cual este video me hizo reflexionar Bastante acerca de los mismos estudios que he llevado en todos estos años, puesto que pude comprender el contraste que existe entre cómo se hacían anteriormente los análisis de crítica a los que se hacen actualmente, coincido en cómo se criticaba el derecho por ser clasista y su relación con la lucha de clases pero como ahora se dejó de lado y y se asumió el paradigma de los derechos humanos y cómo usar esta supuesta lucha para proteger los derechos humanos que realmente no han sido lo suficientemente revolucionarios y que nos han distraído del verdadero problema; dicho esto lo que más destaco es el hecho de qué me parece impresionante como pocas personas se ponen analizar realmente la Constitución mexicana y en este caso me parece muy enriquecedor el como el profesor hace ver a los artículos en una forma en la cual realmente nos defienden al pueblo y como realmente podemos usar esto como una herramienta para mejorar nuestro sistema, en especial las anotaciones que hizo sobre el artículo 39 que coincido totalmente en la forma en la cual se analizó este artículo todo poder público es para el beneficio del pueblo, es algo que siempre se nos olvida en como la creación de las instituciones públicas deben siempre ser beneficio para nosotros mismos y que realmente tenemos DERECHO a recibir beneficios de la simple existencia de estas instituciones ya que el sentido de su existencia es el pueblo mismo, de igual forma el análisis al artículo 136 en el cual menciona que se permite juzgar a todos aquellos que se aprovechan de las situaciones, esto transcribí dos a como a quien traiciona beneficiándose de situaciones desafortunadas estamos en todo el derecho a juzgarlos, esto realmente me hizo tener un cierto tipo de empoderamiento al entender y reivindicar el poder que tenemos como pueblo sobre las instituciones públicas.
@LEGACYFOCUS
March 8, 2024 at 6:51 am
😮😮😮😮😮❤❤❤❤❤❤❤🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹
@hhhsss6086
March 8, 2024 at 6:51 am
Cute design but little risky.
@gainguyen9358
March 8, 2024 at 6:51 am
🤎🤎
@Rachael121
March 8, 2024 at 6:51 am
These girls sure earn their money walking in those heels, just fabulous and beautiful Yasmin at the end 💖⭐️
@nitindhivare7199
March 8, 2024 at 6:51 am
Nice 👍🏻😍
@jyotisahani4603
March 8, 2024 at 6:51 am
I like neon colour 👌👌👌
@svenakbas9361
March 8, 2024 at 6:51 am
Nice
@klljsi5883
March 8, 2024 at 6:51 am
ياجماعة اللي تدعي ان ينزل مقياسي الاعظم عند حاسداتي تصير مقياس اعظم فالغيرة على كعبة اسلام طبعا ياجماعة بدون كفر يعني يصيرون زي اللي واقف يوم القيامة شديد الخوف لكن لايكفر
@annasabally170
March 8, 2024 at 6:51 am
Good video
@prasannaperam8391
March 8, 2024 at 6:51 am
Good video
@noahberhane262
March 8, 2024 at 6:51 am
Nice
@aliali321ful
March 8, 2024 at 6:51 am
Amazing video
@kamalamuchhu7888
March 8, 2024 at 6:51 am
Nice video
@elinadd7341
March 8, 2024 at 6:51 am
😂😂😂😂😂
@bangrecords4346
March 8, 2024 at 6:51 am
Love the dresses ❤️
@pinonino9893
March 8, 2024 at 6:51 am
Heey ladyyy
@banana-hc2qk
March 8, 2024 at 6:51 am
Good video
.
@evagabriel5595
March 8, 2024 at 6:51 am
I like it 🙂
@annelie9840
March 8, 2024 at 6:51 am
Cool 👌
@acenirpereirasantos8888
March 8, 2024 at 6:51 am
Não sei quem usaria uns espantalhos assim?
@92bambambam
March 8, 2024 at 6:51 am
💪
@siskristie2113
March 8, 2024 at 6:51 am
Ok.. I like weigh maybe 110 so like that's not happening unless the Lord holds it up. Lol…thats alot. Absolutely gorgeous dress though!
@ernestavocado5522
March 8, 2024 at 6:51 am
Well, some of them are ok. Most of them look like they were created by mentally unstable people though but I assume it's intentional for shock value.
@progressiveheart1234
March 8, 2024 at 6:51 am
Egads! Ok, I keep having to remind myself that these shows act as inspiration for “ready to wear” designers: trends in color, shape, accessories, a sleeve or neckline, etc.
Let’s face it. Except for Red Carpet events, not even disgustingly wealthy women (or men) wear these (imo, garish) off the wall outfits.
@JamieJobb
March 8, 2024 at 6:51 am
Recall the fake entertainment "slap" at the Oscars: the slight was the wife's ridiculous dress
which created such a puffy self-imposed leg-iron handicap — so she could not run if she had to.
Where are The Dress Police when we need them? She should not be allowed to ridicule the disabled, sartorially.
@heather7044
March 8, 2024 at 6:51 am
It’s the parade of the miserable, pissed off smartly dressed woman
@annieholbis2430
March 8, 2024 at 6:51 am
Was that Simon Le Bon I saw in the front row – probably cheering his beautiful wife on!
@guidrafolker4571
March 8, 2024 at 6:51 am
They are all dumb let the ELITES wear them
@guidrafolker4571
March 8, 2024 at 6:51 am
Dumbest dress I ever saw!! 🤣