Fashion
Hair & Makeup – Models & Makeup Backstage at Edun Fall 2012 – New York Fashion Week | FashionTV
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http://www.FashionTV.com/videos NEW YORK – FashionTV is backstage at the Edun show during New York Fashion Week Fall/Winter 2012-2013 where models like Maud Welzen are getting their hair and makeup done. James Pecis, the hairstylist backstage, says, “We are doing a look that’s inspired by punk rock, the 80s, and asymmetric haircuts.” It’s all about the texture, he says, and they use a lot of Bumble and Bumble hairspray and thickening spray, before pinning the hair organically and bringing it over one eye. Model Nadine Ponce shows off the makeup which includes highlights around the eyes. Model Luisa Bianchin says this collection is a lot of emotions and a lot of colors.
Appearances: Maud Welzen, James Pecis (Hairstylist), Luisa Bianchin, Nadine Ponce, Codie Young, Marihenny Passible, Kinga Rajzak
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FashionTV “Fashion TV” Edun Fall 2012 Backstage “New York Fashion Week” Makeup Models “Maud Welzen” “James Pecis” “Luisa Bianchin” “Nadine Ponce” “Codie Young” “Marihenny Passible” “Kinga Rajzak” “New York” “Fashion Week” “Hair & Makeup” Hair New York “Make Up” NYC Show “Fashion Videos” “Fashion Show” FTV Fashion-TV “FTV Models” Fashion TV FashionTV.com
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Fashion
Sergio Davila: Oceanic Craft for S/S 27 | Milan Men Fashion Week
Explore the intersection of heritage craft and fluid modernism watching Sergio Davila’s historic Milan debut presentation now on FashionTV!
Peruvian designer Sergio Davila officially debuted on the prestigious Milan Fashion Week Men’s calendar with his Spring/Summer 2027 presentation.
Brought to life alongside presenting sponsor I Am The Ocean, the collection serves as a sweeping retrospective of a design language cultivated over twenty-five years across San Francisco, New York, Rome, and Peru.
Stepping into the presentation space, guests were enveloped in an atmospheric dialogue where the raw power of nature met the ultimate refinement of contemporary urban tailoring. The collection masterfully captures the essence of movement within static form, a concept heavily inspired by Davila’s recent time in Rome studying the works of Bernini.
The garments breathe alongside the body, utilizing exquisite natural fibers deeply rooted in Peruvian culture: precious Vicuña, weightless Baby Alpaca, crisp Pima cotton, and textured Tangüis cotton. The true centerpieces of the collection are the intricate, openwork crochet knitwear pieces, oversized cardigans, and highly tactile cable-knit jackets that introduce a beautifully relaxed, gender-fluid sensibility to menswear.
A fresh, sun-bleached palette of ivory, sand beige, and terracotta is seamlessly contrasted by structural pops of cobalt blue tailoring and architectural jackets. Enhanced by the vibrant, warm illustrations of artist Alvaro Felliu, the presentation perfectly bridges resort ease with high-concept urban sophistication.
Backed by the conscious ethos of I Am The Ocean, Davila’s S/S 27 lineup sets a new standard for sustainable luxury and ancestral preservation on the global stage.
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Fashion
Viktor & Rolf: Mirrored Rituals for F/W 26-27 | Paris Haute Couture Fashion Week
Delve into the ultimate contrast of gold and burlap and discover what lies beneath the shine watching the mesmerizing performance of Viktor & Rolf’s fall/winter 2026 haute couture collection on FashionTV!
On July 8, 2026, avant-garde design icons Viktor Horsting and Rolf Snoeren shook Paris Haute Couture Week with their groundbreaking collection, “Gilded Age 2.0”. The presentation stepped away from traditional runway formats, transforming the stage into a surreal, bedroom-like dream environment.
Within this intimate setting, models Nathalie Haerlemans and Elpida Voryas Georgiadi moved in hypnotic, mirrored synchrony, repeatedly dressing and undressing in a continuous loop to bring the garments to life. The entire collection of 24 looks was engineered as 12 pairs of exact structural doubles, designed to explore the friction between maximum decadence and absolute restraint.
While the silhouettes in each pair remained entirely identical, their meanings were radically transformed by a sharp contrast in textiles: opulent gold, crystalline embroidery, and metallic organza on one side, countered by raw, utilitarian jute and burlap on the other.
From plunging floor-length ruffled ballgowns to structured short coats featuring sleeves sculpted into massive bows, the material juxtaposition forced the audience to look past the surface.
In a brilliant conceptual finale, the thematic tension was written directly onto the garments themselves: a flared coat sculpted from raw jute bore the word “restraint” across its sleeves in three-dimensional lettering, while its golden twin proudly displayed the word “decadence” in dense crystal embroidery.
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Fashion
Imane Ayissi: Living Gestures for F/W 26-27 | Paris Haute Couture Fashion Week
Witness the power of ancestral textile heritage reimagined, watching the full Imane Ayissi Haute Couture collection on FashionTV!
On July 6, 2026, Franco-Cameroonian designer Imane Ayissi captivated Paris Haute Couture Week with the presentation of his latest collection in which African textile heritage meets French savoir-faire. Known as a revolutionary voice breaking rigid Eurocentric couture traditions, Ayissi utilized this season to establish a new, inclusive definition of global luxury – one where ancestral African craftsmanship balances perfectly with architectural precision.
The collection defies stillness, manifesting an emotional connection to nature through garments that effortlessly move between fluid grace and structural geometry. Ayissi’s signature mastery lies in his rejection of conventional luxury synthetic textiles, instead prioritizing absolute sustainability through raw, locally sourced, and intensely handcrafted materials from across the African continent.
This vision comes to life through dramatic fabric gestures and architectural forms that redefine the female silhouette with striking confidence, effortlessly blending into a bold, uncompromising color palette that injects profound depth and energy into the Autumn/Winter season.
Throughout the lineup, masterful integration of complex beadwork and vibrant floriate embroidery patterns ripple elegantly across the moving body. By merging meticulous French haute couture techniques with rare regional artisanal traditions, Imane Ayissi delivers a breathtaking testament to living fashion.
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Fashion
Aelis Couture: Into the Wild for F/W 26-27 | Paris Haute Couture Fashion Week
Explore the breathtaking convergence of ancient sculpture and living fashion, watching the complete Aelis Couture F/W 2026–27 show on FashionTV!
Opening the final day of Paris Haute Couture Week on July 9, 2026, designer Sofia Crociani presented her most daring and intellectually profound collection yet for Aelis Couture. The F/W 2026-27 presentation went far beyond surface-level runway glamour, serving as a powerful manifesto on consumption, nature, and raw human identity.
Crociani, a veteran designer who honed her craft styling under John Galliano at Dior and working alongside Karl Lagerfeld, positioned her independent house at the cutting edge of “Art-to-Wear” couture, proving that radical environmental activism and elite, handmade luxury can seamlessly coexist.
The collection, while retaining the house’s signature ethereal lightness, introduced an unexpected, dark theatrical edge. The visual journey opened with a showstopping cape crafted from archival egret feathers – a poignant nod to the early 20th-century plume trade that hunted the birds to the brink of extinction. The color palette evolved dramatically, like a melting iceberg, shifting from icy blues and translucent whites to deep petrol blacks and dusty porcelain pinks.
Crociani’s legendary fluid drapery was subverted by striking, brutalist elements born from a collaboration with sculptor Arnaud Briand and the Grand Palais’ Atelier de Moulage. Together, they recreated the draped togas of Roman commanders, casting the pleats in plaster and black pigment to resemble concrete. This structural fragment rested heavily on the shoulder of a lead-gray duchesse satin gown lined in organic hemp, fastened with a historic Roman fibula clasp.
The most provocative and widely discussed boundary-pushing element of the season was Crociani’s poetic exploration of living matter, specifically keratin. Challenging the traditional hierarchy of luxury textiles, the atelier introduced ethically sourced human hair into the garments.
Models walked the runway in delicate, antique-pink silk tulle gowns, each embroidered with long strands of hair meticulously sewn into micro-pleats by artisan Silvia Barcucci.
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Fashion
Zuhair Murad Commands Dark Enchantment for F/W 26-27 | Paris Haute Couture Week
Discover a moonlit kingdom of absolute power and midnight romance, watching the complete Zuhair Murad fall/winter 2026-27 haute couture show now on FashionTV!
Staged within the majestic, soaring arches of the historic College des Bernardins on July 8, 2026, Lebanese master couturier Zuhair Murad presented one of the most spellbinding highlights of Paris Haute Couture Week.
Titled “Love and Dominion,” the F/W 2026-27 collection leaned heavily into a dark, cinematic romanticism, drawing immediate comparisons across the fashion editorial landscape to a high-fantasy winter wonderland. Front-row muse Jennifer Lopez, alongside a star-studded audience of international fashion editors, watched Murad’s seasonal heroine walk a dark runway.
The collection masterfully balanced a fierce duality: a sovereign woman who is at once a tender fairy and an untouchable, protective sorceress, commanding her own magic as the world fractures around her. The runway was defined by an exquisite tension between heavy, defensive structure and absolute, weightless fluidity.
Murad weaponized rich duchesse satin, structured crepe, deep velvets, and radzimir to mold commanding, architectural silhouettes – from cinched corseted columns to expansive, high-drama ball gowns. These heavily sculpted forms were softened seamlessly by sweeping capes that billowed like a gathering storm and layered veils of sheer silk chiffon and tulle.
The color story heavily favored the mystery of a nocturnal winter forest, dominated by profound black, deep fir green, and saturated, rich wine tones, which were beautifully contrasted by unexpected flashes of light, pale pinks, and antique silver.
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@rainbowlady1532
March 25, 2024 at 12:27 pm
Not this scale of modelling, but i have had brief stints such as:
-being a MUA's model at a MAC counter in 2012, 2015 and 2017, also a No7 cosmetics MUA's model
-being a MUA's model at a Smashbox counter in 2013
-playing a model in a drama club and for Performing Arts
-being in the newspaper a couple of times
-and once watching a fashion show at Westwood X and one in Bluewater
But i still feel ugly and nowhere near as pretty, charismatic or stylish as everyone else 😢
@dinabina961
March 25, 2024 at 12:27 pm
Saya suka sekali melihat rambut ditata.ya,aku ingin mencium kamu.
@marcellopez6221
March 25, 2024 at 12:27 pm
Who is the last model getting fixed very fast? She looks very professional all the time. I wanna be like her.
@brendanmorin9935
March 25, 2024 at 12:27 pm
Who is the model at 1:35 ?
@jamesfiaco4922
March 25, 2024 at 12:27 pm
2 It's a simple concept basic logic if life is not free why the hell would death be any cheaper it's not. So the question one may wonder is the spiritual cost to one's own soul and spirit for having lived and died to the lowest standards of quality for so many years now global pollution has diminished the quality of life to the point where today's people are living, dying and yielding the worst spiritual kickback that has ever been manifested since the beginning of life only getting worse. The polar opposite extreme to that is today's people should be living and dying to the highest standards of quality which would make each and every moment physically, mentally, financially and spiritually beneficial. S.R.F.
@rosebeauty0098
March 25, 2024 at 12:27 pm
I've always wanted to be a model but I'm not tall enough (5'2) :/ I'm never good enough
@cool87124
March 25, 2024 at 12:27 pm
what eyeliner is that at 4:49 ??? love the gold!
@katherinegrig
March 25, 2024 at 12:27 pm
Who is the model at 0:29
@srijanikadadhasuu3836
March 25, 2024 at 12:27 pm
fabulous
@MakeUp4ever1010
March 25, 2024 at 12:27 pm
Fashion TV rocks, I am looking forward to doing Make Up backstage at new York fashion week