Fashion
fashiontv | FTV.com – PARIS FASHION WEEK – DAY 1 HOM PE 2005
Fashion
Imane Ayissi: Living Gestures for F/W 26-27 | Paris Haute Couture Fashion Week
Witness the power of ancestral textile heritage reimagined, watching the full Imane Ayissi Haute Couture collection on FashionTV!
On July 6, 2026, Franco-Cameroonian designer Imane Ayissi captivated Paris Haute Couture Week with the presentation of his latest collection in which African textile heritage meets French savoir-faire. Known as a revolutionary voice breaking rigid Eurocentric couture traditions, Ayissi utilized this season to establish a new, inclusive definition of global luxury – one where ancestral African craftsmanship balances perfectly with architectural precision.
The collection defies stillness, manifesting an emotional connection to nature through garments that effortlessly move between fluid grace and structural geometry. Ayissi’s signature mastery lies in his rejection of conventional luxury synthetic textiles, instead prioritizing absolute sustainability through raw, locally sourced, and intensely handcrafted materials from across the African continent.
This vision comes to life through dramatic fabric gestures and architectural forms that redefine the female silhouette with striking confidence, effortlessly blending into a bold, uncompromising color palette that injects profound depth and energy into the Autumn/Winter season.
Throughout the lineup, masterful integration of complex beadwork and vibrant floriate embroidery patterns ripple elegantly across the moving body. By merging meticulous French haute couture techniques with rare regional artisanal traditions, Imane Ayissi delivers a breathtaking testament to living fashion.
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Aelis Couture: Into the Wild for F/W 26-27 | Paris Haute Couture Fashion Week
Explore the breathtaking convergence of ancient sculpture and living fashion, watching the complete Aelis Couture F/W 2026–27 show on FashionTV!
Opening the final day of Paris Haute Couture Week on July 9, 2026, designer Sofia Crociani presented her most daring and intellectually profound collection yet for Aelis Couture. The F/W 2026-27 presentation went far beyond surface-level runway glamour, serving as a powerful manifesto on consumption, nature, and raw human identity.
Crociani, a veteran designer who honed her craft styling under John Galliano at Dior and working alongside Karl Lagerfeld, positioned her independent house at the cutting edge of “Art-to-Wear” couture, proving that radical environmental activism and elite, handmade luxury can seamlessly coexist.
The collection, while retaining the house’s signature ethereal lightness, introduced an unexpected, dark theatrical edge. The visual journey opened with a showstopping cape crafted from archival egret feathers – a poignant nod to the early 20th-century plume trade that hunted the birds to the brink of extinction. The color palette evolved dramatically, like a melting iceberg, shifting from icy blues and translucent whites to deep petrol blacks and dusty porcelain pinks.
Crociani’s legendary fluid drapery was subverted by striking, brutalist elements born from a collaboration with sculptor Arnaud Briand and the Grand Palais’ Atelier de Moulage. Together, they recreated the draped togas of Roman commanders, casting the pleats in plaster and black pigment to resemble concrete. This structural fragment rested heavily on the shoulder of a lead-gray duchesse satin gown lined in organic hemp, fastened with a historic Roman fibula clasp.
The most provocative and widely discussed boundary-pushing element of the season was Crociani’s poetic exploration of living matter, specifically keratin. Challenging the traditional hierarchy of luxury textiles, the atelier introduced ethically sourced human hair into the garments.
Models walked the runway in delicate, antique-pink silk tulle gowns, each embroidered with long strands of hair meticulously sewn into micro-pleats by artisan Silvia Barcucci.
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Zuhair Murad Commands Dark Enchantment for F/W 26-27 | Paris Haute Couture Week
Discover a moonlit kingdom of absolute power and midnight romance, watching the complete Zuhair Murad fall/winter 2026-27 haute couture show now on FashionTV!
Staged within the majestic, soaring arches of the historic College des Bernardins on July 8, 2026, Lebanese master couturier Zuhair Murad presented one of the most spellbinding highlights of Paris Haute Couture Week.
Titled “Love and Dominion,” the F/W 2026-27 collection leaned heavily into a dark, cinematic romanticism, drawing immediate comparisons across the fashion editorial landscape to a high-fantasy winter wonderland. Front-row muse Jennifer Lopez, alongside a star-studded audience of international fashion editors, watched Murad’s seasonal heroine walk a dark runway.
The collection masterfully balanced a fierce duality: a sovereign woman who is at once a tender fairy and an untouchable, protective sorceress, commanding her own magic as the world fractures around her. The runway was defined by an exquisite tension between heavy, defensive structure and absolute, weightless fluidity.
Murad weaponized rich duchesse satin, structured crepe, deep velvets, and radzimir to mold commanding, architectural silhouettes – from cinched corseted columns to expansive, high-drama ball gowns. These heavily sculpted forms were softened seamlessly by sweeping capes that billowed like a gathering storm and layered veils of sheer silk chiffon and tulle.
The color story heavily favored the mystery of a nocturnal winter forest, dominated by profound black, deep fir green, and saturated, rich wine tones, which were beautifully contrasted by unexpected flashes of light, pale pinks, and antique silver.
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Setchu: Caught in the Nets for S/S 27 | Milan Men Fashion Week
Witness a miraculous catch of Japanese precision and Italian savoir-faire: watch the full Setchu spring/summer 2027 runway presentation now on FashionTV!
Unveiled to a captivated audience during Milan Fashion Week, designer Satoshi Kuwata delivered his most intimate, emotionally resonant collection to date for Setchu’s S/S 2027 season. Titled “Caught in the Nets,” the collection serves as a poetic translation of Kuwata’s recent travels to the abundant fishing grounds of Gabon.
Navigating a world of constant change, the 2023 LVMH Prize winner intentionally rejected the industry’s pressure for commercial excess – editing the presentation down to a hyper-focused, masterfully executed selection of looks. The result is a striking narrative where everyday utilitarian clothing is elevated into a fluid, graceful, and highly protective contemporary armor. The runway came alive with a genderless cast of “sirens” enveloped in intricate textile geometry.
The collection’s core motif was beautifully realized through multi-colored networks of leather cords, meticulously hand-knotted by artisans using the traditional “Japanese Square Knot” technique. These fragile yet incredibly resilient net overlays gracefully draped over olive dresses and sharp tailoring, responding organically to the body’s movement. Kuwata seamlessly merged Savile Row tailoring precision with Japanese origami principles, introducing a dynamic tension between the rectangle and the circle.
Jersey fabrics were held taut by large, clean circular cavities piercing through minimalist black dresses and white tops, framing the skin in fragments while demonstrating an absolute mastery of mathematical cut and hidden fastening systems.
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Pronounce: Flights of Elegance for S/S 27 | Milan Men Fashion Week
Enjoy a decade of East-meets-West visionary tailoring watching the Pronounce spring/summer 2027 anniversary runway collection now on FashionTV!
Staged within the art-filled galleries of the Fondazione Sozzani on June 20, 2026, design duo Yushan Li and Jun Zhou delivered a milestone presentation for Pronounce’s S/S 2027 coed collection. Marking the 10th anniversary of their independent label, the Milan-based Chinese designers infused Milan Fashion Week with a remarkably joyful, lighthearted energy.
The collection served as a brilliant synthesis of their creative heritage, masterfully blending the rigid architectural geometry of the ancient Yingxian Wooden Pagoda with the whimsical, weightless mechanics of traditional Chinese kites. The result was a breathtaking exploration of vertical silhouettes, dynamic motion, and structural lightness. The collection seamlessly bridged historical dress codes with forward-thinking streetwear codes.
Elongated shapes and layered coordinates glided down the runway, honoring the distinct proportions of Ming Dynasty attire and offering a relaxed, ultra-soft reinterpretation of the traditional Zhongshan suit.
The designers toyed effortlessly with contrasting material states: paper-thin sporty staples and ethereal, sheer organza tailoring in gentle pastel colorways were sharply juxtaposed against the structured durability of wrinkle-resistant wools, breathable washed linens, and innovative eco-leathers. Intricate folded construction details and functional oversized pockets subtly echoed the precise craftsmanship of kite design, creating a wardrobe that beautifully balanced practical utility with poetic flight.
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@udinujali6947
March 30, 2024 at 1:33 am
Ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
@sandrobrito3078
March 30, 2024 at 1:33 am
Um.mais.bonito.do.gue.o.outro
@dqz3921
March 30, 2024 at 1:33 am
@1:17 I lost it on this HOT STUD ! W O W ! 💋💋. I love the boys with the long hair ! So SEXY !
@jcholgar5793
March 30, 2024 at 1:33 am
I like the music. Who is?
@TheTomasmi
March 30, 2024 at 1:33 am
2:43
@stevebedford6814
March 30, 2024 at 1:33 am
🥱
@Kiro1802
March 30, 2024 at 1:33 am
We’re I’m i wearing this to
@brahimanaji5946
March 30, 2024 at 1:33 am
غير الحساسة هادو
@ionpaslaru6953
March 30, 2024 at 1:33 am
The World is full with stupid ideas! They turn these young men into dolls. Their place is to fight for a kingdom or to die for a noble cause.
@jassan7017
March 30, 2024 at 1:33 am
Kreen.
@naxynude
March 30, 2024 at 1:33 am
Superhot collection but wonder why this still has nit such sexy outfit in the market and why specially men don't adopt such outfits in daily life. I just love these outfits to wear daily everywhere
@josedecarvalho5753
March 30, 2024 at 1:33 am
Um mais lindo do que o outro
@friends-xu3fq
March 30, 2024 at 1:33 am
Stupid and ugly…not the models…the fashion,or rather non fashion
@stonew1927
March 30, 2024 at 1:33 am
How do these designers make any money from these RIDICULOUS designs? Never has any man bought and worn any of this sillyness, much less enough for it to be profitable to the designer!
@ergokeatha4656
March 30, 2024 at 1:33 am
The majority opions are backward😡🙄
@ergokeatha4656
March 30, 2024 at 1:33 am
¡¡¡EXCELLENT!!!😎😏😜
@rajk2677
March 30, 2024 at 1:33 am
Wow. The models are beautiful hot and sexy and a feast for tired eyes. Awesome 👌
@divaslive6953
March 30, 2024 at 1:33 am
Im sad for the mkdels, they are not comfortable for the clothes they are waering in the runway…😮😯😯😯
@araara4746
March 30, 2024 at 1:33 am
Gay bussiness
@user-pt4ui9gc3k
March 30, 2024 at 1:33 am
фантасты-романтики !!!!!
@manuperer4453
March 30, 2024 at 1:33 am
exhibicionismo o arte, exhibicionismo…
@MrLourie
March 30, 2024 at 1:33 am
The men are very handsome, but the clothing is horrible.
@MicaRayan
March 30, 2024 at 1:33 am
I remember watching FTV right in the middle school. Really love it ❤🌲
@palmereldritch7777
March 30, 2024 at 1:33 am
Was this a dare to make the models feel embarrased on the catwalk?
@kemc3905
March 30, 2024 at 1:33 am
I would model some of these sexy underwear. But, the underwear looks so sexy.