Fashion
SZA x Joji Type Beat – “Fall For You”
SZA x Joji Type Beat – “Fall For You” Like – Subscribe – Hit Notifications! Prod. by S.J *For beat purchases visit: …
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Fashion
Tongue-in-Chic by Moschino for F/W 26-27, Milan Fashion Week
Embrace the irony and nostalgia of the fall/winter 2026-2027 show of Moschino presented at Milan Fashion Week! Moschino Creative Director Adrian Appiolaza takes us on a deeply personal yet universal journey titled “Terra.” Drawing from his childhood roots in Argentina, Appiolaza translates the spirit of his homeland through the unmistakable Moschino lens of wit, affection, and “tongue-in-chic” irony. The runway serves as a vibrant map, charting a path from the sophisticated urbanity of Buenos Aires to the rustic charm of the countryside, celebrating a cast of characters that are both local archetypes and global icons. The collection is a masterclass in contradiction, where Franco Moschino’s legacy of exploding cliches meets Appiolaza’s nostalgic curiosity. Child-like exaggerations transform silhouettes: bourgeois ladies, soccer-obsessed teens, and gauchos of the Pampas populate the scene alongside three-dimensional knitted llamas. Landmarks like the Obelisco and the decorative swirls of Fileteado Porteño provide a rich visual backdrop. In a brilliant crossover of icons, the famous cartoon character Mafalda, created by the legendary Quino, makes her debut, standing as a modern counterpart to the brand’s historic love for Olive Oyl. “Terra” pushes boundaries by displacing the familiar. Elaborate ruffles are reimagined in latex, while heritage broderie anglaise tablecloths are draped into high-fashion gowns. Sharp tailoring paying homage to the silhouette of Evita showcases the superlative craft of the Moschino DNA, while trompe l’oeil accessories – including a “bag” of churros and silver photographic frames – capture the brand’s signature sense of displacement. Closing with a joyful tango of ruffles and movement, the collection proves that at Moschino, fashion is a serious sense of humor and a celebration of individual truth.
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Fashion
CANNES 2026: Taylor Hill, Heidi Klum, Sharon Stone, Demi Moore | Fjord, Red Carpet Day 7
Battle of the luxury houses: who won the Cannes Red Carpet?
Watch FashionTV to discover all the glam of the Cannes 2026 Red Carpet while celebs are arriving at the premiere of “Fjord”! Mahnaz Afshar captivated the crowd in a striking, sculptural gown by Roberto Cavalli, which she perfectly paired with matching Roberto Cavalli footwear and timeless high jewelry from Damiani. Supermodel Taylor Hill brought effortless, high-contrast drama to the steps in an archival-inspired Roberto Cavalli creation, beautifully accented with modern, shimmering diamond pieces from Messika.
Izabel Goulart maintained her status as a Riviera favorite, turning heads in a breathtakingly fluid Roberto Cavalli gown before posing for cameras alongside her partner Kevin Trapp, who looked impeccably sharp in a classic tuxedo. Timeless icons and high-wattage sparkle also commanded the iconic red steps. Demi Moore exuded absolute sophistication in a custom, tailored Gucci gown, completing the look with statement sunglasses and a brilliant suite of diamonds from Chopard.
Sharon Stone made an unforgettable entrance in a dramatic, heavily detailed masterpiece by Miss Sohee, elevated with bespoke Garatti jewelry and custom Sole Bliss heels. Meanwhile, Carla Bruni kept the essence of effortless Parisian chic alive, gliding down the carpet in a sleek, minimalist Tom Ford silhouette paired with striking Chopard gems.
A wave of next-gen silhouettes and romantic volume added an extra layer of drama to the evening. Georgina Rodriguez made a regal entrance clad in a heavily embellished, floor-sweeping gown by Georges Hobeika, anchored with showstopping high jewelry from Chopard.
Heidi Klum opted for romance and major presence, walking the red carpet in a dreamy, vibrant Monique Lhuillier gown matched with spectacular pieces from Lorraine Schwartz. Not far behind, Shanina Shaik kept all eyes on her in an intricately detailed, ethereal Zuhair Murad gown that sparkled flawlessly under the flashing cameras. Bringing a mix of cinematic poise and high-fashion edge, Charlotte Gainsbourg strayed from traditional evening gowns, staying true to her signature French rock-and-roll aesthetic in a sharp, impeccably tailored look by Saint Laurent.
Channing her own effortless, modern elegance, Daisy Edgar-Jones stepped out in a fluid, minimalist Balenciaga gown, subtly grounded by sleek Aquazzura shoes. Finally, arriving at the center of it all, the Cast of Fjord walked the carpet as a cohesive, sophisticated unit, bringing sharp tailoring and classic refinement to celebrate their incredible critical reception.
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Fashion
Woven Landscapes by Alberta Ferretti for S/S 26, Milan Fashion Week
Step into the enduring charm of Alberta Ferretti’s Spring/Summer 2026 collection, unveiled at Milan Fashion Week, and witness the brand’s bold transition to a more relaxed, functional femininity inspired by nature and expert craftsmanship!
This captivating showcase moved away from traditional evening glamour toward everyday wearability, emphasizing natural textures like raw linen, basketweave silks, and intricate woven raffia accents.
The palette evoked an organic serenity with shades of earthy terracottas, soothing sage greens, neutral oatmeal, and soft sunset tones of faded yellow. Standout designs featured flowing, voluminous silhouettes, including layered shirt dresses, graceful tunics, and wide-leg trousers accented with braided belts, all designed for effortless movement and tactile comfort.
Critics celebrated this evolution for its daytime adaptability, praising the exquisite handcrafted macramé elements and subtle sun-bleached finishes that lent a resort-inspired, ready-to-wear allure.
Ultimately, this collection reimagined Italian luxury as a harmonious blend of accessibility and artisanal finesse, leaving a lasting impact on the fashion world.
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Fashion
Dior: Cinematic Couture in the Hills for Cruise 2027
Get ready to be blown away by Dior’s Cruise 2027 show, held in Los Angeles, Jonathan Anderson’s spectacular first Cruise outing for the storied French house.
Unveiled within the sweeping concrete curves, fluid expanses of glass, and archly Brutalist architecture, Dior Cruise 2027 unfurled like an immersive, cinematic fever dream that beautifully filtered California past, present, and future through the lens of French high fashion. Staged inside a smoky dreamscape described by the House as “an illusion of LA, in LA,” the presentation hummed with the energy of a living film set, complete with vintage convertibles parked beneath the structure and an evocative musical score.
Anderson rooted the collection deeply in Dior’s historic relationship with Hollywood, tracing his creative spark back to a Haute Couture Spring/Summer 1949 jacket worn by screen legend Marlene Dietrich in Alfred Hitchcock’s “Stage Fright”. Nodding to Dietrich’s legendary ultimatum, “No Dior, no Dietrich!”, the show’s press materials were even cleverly distributed in a classic Hollywood script format, celebrating Christian Dior’s postwar fascination with dreams, Surrealism, and cinematic escapism.
The runway itself offered a light, fresh, and alluring vision rife with surprising silhouettes, rich textures, and lush florals. The opening look – a striking buttercup-yellow dress covered in rosettes – immediately set a romantic tone.
Gowns inspired by Californian icons, particularly the vibrant local poppy, floated down the runway like fields of wildflowers caught in the golden hour. Anderson masterfully bridged the gap between everyday American staples and couture craftsmanship, sending out distressed denim embroidered with delicate silver chains, frayed bouclé wool jackets, embroidered lace evening dresses, patchwork scarves, and oversized shearling coats.
The collection effortlessly captured the multifaceted archetypes of Los Angeles, including a surprise collaboration with the legendary L.A. artist Ed Ruscha that perfectly proved Anderson’s show note philosophy: “The everyday becomes couture.” If this collection were a movie, it would be an instant classic.
Which L.A. archetype was your favorite?
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