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Kabaddi is a contact team sport.[1] Played between two teams of seven players, the objective of the game is for a single player on offence, referred to as a “raider”, to run into the opposing team’s half of a court, tag out as many of their defenders as possible, and return to their own half of the court, all without being tackled by the defenders, and in a single breath.[2] Points are scored for each player tagged by the raider, while the opposing team earns a point for stopping the raider. Players are taken out of the game if they are tagged or tackled, but are brought back in for each point scored by their team from a tag or tackle.
It is popular in the Indian subcontinent and other surrounding Asian countries. Although accounts of kabaddi appear in the histories of ancient India, the game was popularised as a competitive sport in the 20th century. It is the national sport of Bangladesh. It is the state game of the Indian states of Andhra Pradesh, Bihar, Haryana, Karnataka, Kerala, Maharashtra, Odisha, Punjab, Tamil Nadu, Telangana, and Uttar Pradesh.[3]
There are two major disciplines of kabaddi: “Punjabi kabaddi”, also referred to as “circle style”, comprises traditional forms of the sport that are played on a circular field outdoors, while the “standard style”, played on a rectangular court indoors, is the discipline played in major professional leagues and international competitions such as the Asian Games.
The game is known by numerous names in different parts of South Asia, such as: kabaddi or chedugudu in Andhra Pradesh and Telangana; kabaddi in Maharashtra, Karnataka and Kerala; kabadi or ha-du-du in Bangladesh; bhavatik in Maldives, kauddi or kabaddi in the Punjab region; hu-tu-tu in Western India, hu-do-do in Eastern India; chadakudu in South India; kapardi in Nepal; and kabadi or sadugudu in Tamil Nadu
कबड्डी एक खेल है, जो मुख्य रूप से भारतीय उपमहाद्वीप में खेली जाती है। कबड्डी नाम का प्रयोग प्राय: उत्तर भारत में किया जाता है, इस खेल को दक्षिण में चेडुगुडु और पूर्व में हु तू तू के नाम से भी जानते हैं। यह खेल भारत के पड़ोसी देश नेपाल, बांग्लादेश, श्रीलंका और पाकिस्तान में भी उतना ही लोकप्रिय है। तमिल, कन्नड़ और मलयालम में ये मूल शब्द, (கை-பிடி) “कै” (हाथ), “पिडि” (पकडना) का रूपांतरण है, जिसका अनुवाद है ‘हाथ पकडे रहना’। कबड्डी, बांग्लादेश का राष्ट्रीय खेल है। इस मैच
नियम
साधारण शब्दों में इसे ज्यादा अंक हासिल करने के लिए दो टीमों के बीच की एक स्पर्धा कहा जा सकता है। अंक पाने के लिए एक टीम का रेडर (कबड्डी-कबड्डी बोलने वाला) विपक्षी पाले (कोर्ट) में जाकर वहां मौजूद खिलाडियों को छूने का प्रयास करता है। इस दौरान विपक्षी टीम के स्टापर (रेडर को पकड़ने वाले) अपने पाले में आए रेडर को पकड़कर वापस जाने से रोकते हैं और अगर वह इस प्रयास में सफल होते हैं तो उनकी टीम को इसके बदले एक अंक मिलता है। और अगर रेडर किसी स्टापर को छूकर अपने पाले में चला जाता है तो उसकी टीम के एक अंक मिल जाता और जिस स्टापर को उसने छुआ है उसे नियमत: कोर्ट से बाहर जाना पड़ता है। कबड्डी में 12 खिलाड़ी होते हैं जिसमें से 7 कोर्ट में होते हैं और 5 रिज़र्व होते हैं ।कबड्डी कोर्ट डॉज बॉल गेम जितना बड़ा होता है।कोर्ट के बीचोबीच एक लाइन खिंची होती है जो इसे दो हिस्सों में बांटती है। कबड्डी महासंघ के हिसाब से कोर्ट का माप 13 मीटर × 10 मीटर होता है।
भ्द्फ्ग्झ्ग्ब्छ् खिलाडियों के पाले में आने के बाद टॉस जीतने वाली टीम सबसे पहले अपना खिलाड़ी (रेडर) विपक्षी पाले में भेजती है। यह रेडर कबड्डी-कबड्डी बोलते हुए जाता है और विपक्षी खिलाडियों को छूने का प्रयास करता हैं ।वह अपनी चपलता का उपयोग कर विपक्षी खिलाडियों (स्टापरों) को छूने का प्रयास कर सकता है। इस प्रक्रिया में अगर वह विपक्षी टीम के किसी भी स्टापर को छूने में सफल होता है तो उस स्टापर को मरा हुआ (डेड) समझ लिया जाता है। ऐसे में उस स्टापर को कोर्ट से बाहर जाना पड़ता है। और अगर स्टापरों को छूने की प्रक्रिया में रेडर अगर स्टापरों की गिरफ्त में आ जाता है तो उसे मरा हुआ (डेड) मान लिया जाता है। यह प्रक्रिया दोनों टीमों की ओर से बारी-बारी चलती रहती है।
इस तरह से हर दल का खिलाड़ी बारी बारी से क्रम बदलते रहते हैं और अंत में जिसके दल में सबसे ज्यादा सदस्य बचे रह जाते हैं उस दल को विजेता घोषित कर दिया जाता है।
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Fashion
MULBERRY: Inside Christopher Kane’s Radical S/S 27 Debut | London Fashion Week
Mulberry
spring/summer 2027
ready-to-wear collection
London Fashion Week
#Mulberry #SS27 #LFW
Where British utility collides with high craft – witness the transformative debut of Mulberry spring/summer 2027 now on FashionTV!
For S/S 2027, Mulberry opens a transformative chapter with the debut of Christopher Kane as Creative Director. Fusing establishment elegance with a subcultural edge, the inaugural collection explores the clash of British life, where school uniforms collide with leather, and parkas veil refined dresses.
Kane draws directly from Mulberry’s Somerset roots and archive codes, translating the iconic angles of the Bayswater bag into crisp style lines across tailoring, coats, and knitwear, while hardware like the Postman’s Lock finds new purpose on belts and footwear.
From abstracted axe motifs symbolizing craft and renewal to the revival of Mulberry’s original 1990s sweatshirt, the collection honors heritage not through nostalgia, but as a living, electric force for the modern wardrobe.
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KEQIAO: The Silk Road Renewed for S/S 27 | Milan Fashion Week
Keqiao
spring/summer 2027
Ready-to-Wear collection
Milan Fashion Week
#MFW #Keqiao #SS27
Witness the ultimate fusion of Italian artistry and Chinese innovation – watch the Keqiao S/S 27 Milano Fashion Week show now on FashionTV!
Reaffirming the powerful creative bridge between Italy and China, Keqiao made a celebrated return to the official Milan Fashion Week calendar for its third Collective runway show.
For spring/summer 2027, four rising talents from China took center stage, showcasing the district’s evolving focus on sustainability, artisanal heritage, and contemporary design.
Gu Yuandai explored the revival of hand-craftsmanship in an industrial age, viewing garments as vessels of preserved memory. Liu Hongchao pushed the boundaries of sustainable knitwear by blending natural fibers, recycled materials, and traditional techniques.
Meanwhile, Sancailiyi drew upon Eastern philosophy to craft timeless, balanced womenswear, while Sayaanno presented a silent narrative through complex structural garment construction. Together, this new generation of designers proves that the future of fashion rests on thoughtful dialogue between global heritage and modern research.
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AHLUWALIA: Togetherness, Optimism, & Radical Lightness for S/S 27 | London Fashion Week
Ahluwalia
Spring/Summer 2027
ready-to-wear collection
London Fashion Week
#Ahluwalia #SS27 #LFW
Experience the vibrant spirit of “Revel” – watch the Ahluwalia S/S 27 London Fashion Week runway show now on FashionTV!
Unveiled inside the grand surroundings of Rosewood London during London Fashion Week, Ahluwalia’s spring/summer 2027 collection, titled “Revel”, proposes optimism and togetherness as the most enduring answers in an uncertain age. Creative Director Priya Ahluwalia transformed early research on historical resistance movements into a poignant study of joy as liberation.
Drawing inspiration from unguarded photographs of off-duty Black Panthers, the pan-African spirit of FESTAC ’77, and the incendiary polyrhythms of Fela Kuti alongside Mumbai’s underground rap scene, the collection proves that gathering itself remains a radical, beautiful act. Marking an evolution in design, Ahluwalia’s signature draping shifts outward, claiming space through low-back puffball tops, voluminous dresses, and soft organza layers across both menswear and womenswear.
Protective water-resistant fabrics and 1970s-inspired leather outerwear are balanced by tactile mohair knits, rippling fringe tuxedos, and an instinctive palette drawn from Pan-African art.
Elevating the presentation, the runway featured an extended Ahluwalia x Puma collaboration starring reworked T7 track jackets and primary-colored Speedcat sneakers, alongside hand-strung bead bag charms created with poppi and an immersive, water-inspired wallpaper mural created with Calico Wallpaper.
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Creative Director: Priya Ahluwalia
Stylist: Nell Kalonji
Casting Director: Troy Casting
Hair Stylists: Cos Sakkas for Toni&Guy
Makeup Artist: Rebecca Davenport using ILIA Beauty
Manicurist: Viktotia Kolodii for MVK
Music Composition: Tom Tripp
Lighting Designer: Aurelie Nedjar at Lightlab
Production: Little Giant Production
Communications: Karla Otto
Runway Photography: Stefan Knauer and Olivier Cassie
Backstage Photography: Jason Lloyd-Evans, Lily Craigen, and Josh Upton
Video: DUCK Productions
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BALMAIN: Cinematic Glamour & Rock ‘n’ Roll Couture for S/S 27 | Paris Fashion Week
Balmain
spring/summer 2027
ready-to-wear collection
Paris Fashion Week
#balmain #ss27 #pfw #parisfashionweek #AntoninTron
Where Parisian couture meets West Coast counterculture: witness the mesmerizing Balmain S/S 2027 collection on FashionTV today!
For spring/summer 2027, Creative Director Antonin Tron orchestrates a breathtaking synthesis of French haute couture and West Coast counterculture at Paris’s historic Hotel de Maisons.
The collection bridges the extreme mid-century draping and wild animalia of founder Pierre Balmain with the mystic, sun-scorched energy of 1960s Joshua Tree and Laurel Canyon.
Cinematic silhouettes range from sinuous, body-deifying silk dresses steeped in LA fever-dream florals to louche, rock-idol leather tailoring – featuring eel-skin blousons, snake-print coats, and sleek tab-front trousers. Sculpted agate-heeled mules and the fluid new Sphynx pouch accent the electric palette of West Coast dawns and dusk-lit golds, delivering an empowering, modern vision of glossy, uncompromising glamour.
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