Get ready to be blown away by Dior’s Cruise 2027 show, held in Los Angeles, Jonathan Anderson’s spectacular first Cruise outing for the storied French house.

Unveiled within the sweeping concrete curves, fluid expanses of glass, and archly Brutalist architecture, Dior Cruise 2027 unfurled like an immersive, cinematic fever dream that beautifully filtered California past, present, and future through the lens of French high fashion. Staged inside a smoky dreamscape described by the House as “an illusion of LA, in LA,” the presentation hummed with the energy of a living film set, complete with vintage convertibles parked beneath the structure and an evocative musical score.

Anderson rooted the collection deeply in Dior’s historic relationship with Hollywood, tracing his creative spark back to a Haute Couture Spring/Summer 1949 jacket worn by screen legend Marlene Dietrich in Alfred Hitchcock’s “Stage Fright”. Nodding to Dietrich’s legendary ultimatum, “No Dior, no Dietrich!”, the show’s press materials were even cleverly distributed in a classic Hollywood script format, celebrating Christian Dior’s postwar fascination with dreams, Surrealism, and cinematic escapism.

The runway itself offered a light, fresh, and alluring vision rife with surprising silhouettes, rich textures, and lush florals. The opening look – a striking buttercup-yellow dress covered in rosettes – immediately set a romantic tone.

Gowns inspired by Californian icons, particularly the vibrant local poppy, floated down the runway like fields of wildflowers caught in the golden hour. Anderson masterfully bridged the gap between everyday American staples and couture craftsmanship, sending out distressed denim embroidered with delicate silver chains, frayed bouclé wool jackets, embroidered lace evening dresses, patchwork scarves, and oversized shearling coats.

The collection effortlessly captured the multifaceted archetypes of Los Angeles, including a surprise collaboration with the legendary L.A. artist Ed Ruscha that perfectly proved Anderson’s show note philosophy: “The everyday becomes couture.” If this collection were a movie, it would be an instant classic.

Which L.A. archetype was your favorite?

source

making of Sandras photo shooting

Music Info:
Performer: royalty free music
Title: royalty free music

source

FashionTV | FTV.com – Fred Aufray Photoshoot with Sarah Ruby for Cosmopolitan. See the top fashion industrys photographers shooting glamorous models in exotic locations around the world, celebrities, calendar shoots, editorials and catalogues by joining our F Club www.FTV.com/club. Visit behind the scenes of the artistic process through the eyes of the worlds greatest photographers, only on www.FTV.com.

source

Witness on FashionTV how the Cannes Red Carpet just raised the stakes on Day 3!

Cinema royalty and fashion icons aligned to deliver an unforgettable night of style at the premiere of “Parallel Tales” at the Cannes Film Festival! Sandra Huller epitomized effortless French sophistication, commanding the carpet in a timeless, meticulously crafted @CHANEL creation.

Nearby, Barbara Palvin and Dylan Sprouse served ultimate couple goals, with Barbara stealing the spotlight in a custom, ethereal Miu Miu gown paired with the blinding brilliance of @chopard high jewelry. Pierre Niney and Natasha Andrews brought edgy, Parisian cool to the steps, perfectly coordinated in structural @balenciaga ensembles and exquisite @boucheron pieces.

Isabelle Huppert proved once again why she is a festival legend, exuding avant-garde drama in @gucci , complemented by majestic @chopard jewels.

source

Savor the slow pace of style in the fall/winter 2026-2027 collection of Bolano showcased at 080 Barcelona Fashion Week! Manuel Bolano presents “Plan B,” a collection that unfolds like a garden in dim light. It is a space where time slows down and memory breathes, centered around the iconic “B” – a symbol representing the essential, the deep black that envelops the soul of the house, and the craftsmanship of the designer himself. Born from patient hands and ancient sewing rituals, the collection is a testament to creative independence, moving away from the industry’s frantic pace to defend fashion as a profound cultural and emotional expression. The silhouette of “Plan B” is a delicate dance between past and present, inhabiting the romanticism of the 19th century and the refined elegance of mid-century haute couture. Noble fabrics whisper stories through unexpected volumes, carrying a pastoral delicacy reminiscent of a misty dawn. In this unique universe, the naive and the kitsch coexist with the melancholic tenderness of the “sad clown” and theatrical gestures. Influences from cinema and music weave through the garments, with the immortal shadow of Anna Maria Mazzini guiding a narrative where dreams and memory walk hand in hand.

source