Step inside the vibrant Latin American neighborhood: watch the historic Garcias spring/summer 2027 Milan debut now on FashionTV!

On June 20, 2026, Milan Fashion Week witnessed a historic milestone as designer Nicolás Martín Garcia debuted his brand, Garcias, entering the official calendar of the Camera Nazionale della Moda Italiana. As the first-ever Colombian designer to achieve this feat, Garcia transformed his runway into a deeply moving manifesto entitled “Si lo crees, lo creas – Latin Dreamers” (“If you believe it, you create it”).

The S/S 2027 collection stands as an emotional love letter to the Latin diaspora, beautifully exploring how migration, memory, and dual cultural identity can be translated into a contemporary language of luxury.

Rather than a traditional runway backdrop, the show’s scenography was a full-scale, living reconstruction of a Latin American neighborhood. The venue breathed with urban energy, populated by musicians, dancers, street vendors, and families who embody the cultural heart of these communities. Models walked through this immersive landscape wearing a collection that kicked off with a luminous palette inspired by Caribbean mornings – sky blues, butter yellows, creams, and faded indigos, punctuated by sharp bursts of coral and terracotta.

The silhouettes offered an essential yet highly distinctive wardrobe, pairing tailored, pleated knee-length Bermuda shorts with ribbed tank tops, fluid wide-leg trousers, washed denim shirt jackets, and cozy knitted poncho vests. The true magic of the collection lay in the rich dialogue between Colombian textile heritage and rigorous Italian craftsmanship. Traditional textures inspired by Wayuu crochet traditions and Andean ruana patterns coexisted flawlessly with premium Italian tailoring linens and fine cottons.

Faded denim was elevated with delicate crystal embroidery, silk shirts featured prints inspired by late 19th-century Colombian banknotes, and a standout brown satin sash adorned with a hand-applied silver crystal flower was draped low on the hips.

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http://www.FTV.com/videos PARIS – The well-dressed are in the front row of Elie Saab for Paris Couture Fashion week Spring/Summer 2012 wearing lavish print dresses, embroidered jackets, and studded ankle boots. Spotted in the front row is Lebanese singer Haifa Wehbe carrying a fur and giving kisses to friends. Also, Olga Kurylenko, the French actress best known as a James Bond girl in the movie Quantum of Solace. She wears a yellow lace dress, a pink lip, and carries a matching yellow bag.

Appearances: Olga Kurylenko, Haifa Wehbe

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Enter the enigma on FashionTV and experience the ultimate fusion of surrealist art and high fashion as Elie Saab Haute Couture F/W 26-27 is unveiled at Paris Haute Couture Week!

His Autumn/Winter 2026–2027 collection, titled “The Ball of Untamed Dreams,” abandoned daylight certainties to celebrate wild metamorphosis, theatrical illusions, and powerful femininity. The runway transformed into an enigmatic masquerade where mysterious, masked figures slipped through shadows, blurring the boundary between reality and the surreal.

The collection drew profound inspiration from masterworks of surrealist art, transforming fashion into living poetry. A sheer sweep of opaline organza strewn with delicate pearls emulated a Rene Magritte cloud, while a sensuous fishtail gown of rich magenta silk bloomed as a Salvador Dalí rose.

The color palette itself was mercurial and ever-shifting, catching the light to turn soft lilac into metallic silver, and midnight blue into a delicate blush. Fabrics were masterfully draped, twisted, and sculpted into organic, living forms that morphed the models into elegant calla lilies, twilit skies, and graceful midnight swans.

The silhouettes beautifully oscillated between the ethereal and the imperious. Elie Saab’s signature goddess gowns floated down the runway in delicate pastel shades, providing a soft contrast to the fiery strength of deep wine-red velvet ballgowns and dramatic, black winged column dresses.

Sharp, impeccably tailored tuxedos designed for both women and men encapsulated the evening’s boundary-blurring spirit. The styling was elevated to high art through intricately sculpted headpieces and otherworldly masks, making each look feel completely detached from the ordinary world.

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Where performance art meets classical tailoring – witness the hauntingly beautiful, image-shifting spring/summer 2027 Milan runway debut of Martin Quad on FashionTV!

Hosted at the prestigious Fondazione Sozzani in Bovisa, under the esteemed mentorship and creative direction of Sara Sozzani Maino, the presentation unveiled “Woodman Pt.2” – a collection that confidently proves fashion can exist as a deeply moving performance medium far beyond basic textiles.

The collection draws profound inspiration from the evocative, ghostly black-and-white photography of the late American artist Francesca Woodman. Translating Woodman’s surrealist exploration of the female form into the realm of menswear, Juncker utilized “mirroring” as his core construction principle.

Classical tailoring was masterfully subverted; garments were structurally duplicated, inverted, displaced, and fragmented. Silhouettes warped and morphed on the body without entirely abandoning their traditional roots, paying a tactile tribute to the tonal fragility and layered textures of Woodman’s legendary imagery.

True to the brand’s theatrical heritage, the runway was conceived as a live operatic choreography. Set against a physical landscape of broken mirrors and suspended drapes designed by Kristian Kirk of inter.agcy, models moved to an original operatic score composed by Martin Juncker in collaboration with Copenhagen artist Soli City.

Styled by Berlin-based creative consultant Tim Heyduck, the Made-in-Italy collection effortlessly blurred the boundaries between fashion, theater, and fine art installation.

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Admire the legendary Indian couturier Manish Malhotra, who stepped onto the global stage, making his highly anticipated runway debut at Paris Haute Couture Week.

The collection, entitled “MAA,” was a breathtaking love letter to his late mother, who passed away just three months prior – right before Malhotra received his official spot on the couture calendar. Infused with the profound emotion of grief and gratitude, the show was far more than a runway presentation; it was a poetic exploration of creation, identity, and legacy distilled into contemporary high fashion.

The collection unfolded beautifully across four distinct chapters, mapping out the evolving relationship between mother and child. It opened with “Cocoon,” featuring structural, rounded volumes and ovoid silhouettes that symbolized the earliest stages of life.

Standout pieces included an opera-length crinkle-pleated coat, beautifully embroidered with figures depicting a toddler shifting into adulthood; a soft pink cape; and a translucent yellow jacket with a collar that reaches up to gently veil the face.

From there, the narrative transitioned into “Bond,” where silhouettes softened into fluid drapery and layered constructions. These sculpted forms balanced strength and lightness, highlighting massive, intricately knotted silk cords that wrapped around the body before cascading into golden threads.

The garments were heavily accented by the jaw-dropping launch of Manish Malhotra High Jewelry. Exquisite, museum-grade gemstones were scattered throughout the lineup, including a dramatic ear cuff loaded with 18 carats of diamonds and 8 carats of rubellite, an Art Deco collar necklace, and traditional haathphool hand jewels featuring 170 carats of Mozambique rubies.

Drenched in delicate blush and rose hues – his mother’s favorite colors – Malhotra’s Paris debut proved that the deepest personal memories can be transformed into the ultimate expression of global luxury.

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