Elegance in motion: step inside the intimate, wellness-inspired sanctuary of Julie de Libran’s fall/winter 2026–2027 haute couture collection on FashionTV!

On July 6, 2026, Paris Haute Couture Week witnessed a beautiful departure from rigid fashion norms. Designer Julie de Libran invited guests into a quiet, sunlit Pilates studio in the Latin Quarter to unveil her deeply personal Autumn/Winter 2026–2027 collection, entitled “Rituel.” Grounded in the philosophy that true luxury begins with internal alignment, the show functioned as a poetic celebration of well-being, fluid physical movement, and conscious living.

Rather than confining the body in traditional, heavily structured couture corsetry, de Libran designed a wardrobe that breathes and bends with the wearer. Models moved naturally and freely through the space, showcasing silhouettes that were closer-fitting yet entirely fluid. The collection effortlessly balanced casual comfort with Parisian sophistication, featuring relaxed tailoring, dance-inspired ruffles, metallic fringe accents, and sophisticated, pajama-style ensembles.

To bring texture and light to the studio floor, the designer beautifully integrated shimmering silks, metallic cloqué fabrics, and a show-stopping sequined raffia little black dress. Beyond the garments’ physical grace, “Rituel” represents a masterful triumph in sustainable high fashion.

Continuing her uncompromising commitment to upcycling, de Libran breathed new life into deadstock textiles with exceptional intention. Exquisite couture tweeds from previous design seasons were carefully repurposed into modern patchwork jackets, while reconstructive white shirting and delicate, hand-cut silk leaf appliqués transformed raw materials into timeless works of art.

By blending the ease of a Californian lifestyle with iconic French savoir-faire, Julie de Libran delivers a quiet, empowering confidence – proving that clothes should never restrict the body, but rather liberate the mind.

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http://www.FashionTV.com/videos PARIS – FashionTV talks to designer Diane Von Furstenberg about the Diane Von Furstenberg Spring/Summer 2015 collection. See highlights from the runway at Paris Fashion Week.

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Explore the intersection of strict tailoring and artistic disruption: watch the complete Valette Studio spring/summer 2027 showcase from Paris Fashion Week on FashionTV!

Opening day one of Paris Fashion Week Men’s at the historic Hotel de Jaucourt, designer Pierre-Francois Valette unveiled “Dandys Dada” – a mature, 24-look S/S 2027 collection that beautifully handles the tension between structural control and artistic chaos.

Drawing heavily on the rigid, geometric lines of the Constructivist movement, the collection grounds itself in impeccable Parisian tailoring. Structured wool twills, crisp cotton poplins, and recycled leathers define the architecture of fully canvassed jackets, featuring complex details like leather-covered shoulder pads and horsehair chest pieces. However, true to the collection’s name, the spirit of Dadaism quickly steps in to disrupt this order.

Valette introduces flou and grand flou (fluid drapery) to the brand’s vocabulary for the first time, using bias-cut silk mousseline and viscose jersey to bring transparency, sensuality, and movement to menswear. The collection plays with shifting volumes, asymmetric draped shirt collars, skewed jacket lapels that travel diagonally across the chest, and repeating zippers.

This deliberate friction is echoed in the color palette: strict blacks, whites, and off-whites are suddenly interrupted by intense violet, earthen orange, and daring, exclusive zebra and spotted prints. Ensure you never miss an update from the runway.

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http://www.FashionTV.com/videos PARIS – FashionTV grabs a seat in the front row at the Schiaparelli Spring/Summer 2014 show at Paris Couture Fashion Week. This is Schiaparelli’s first Haute Couture show since 1954 went off with a hit. Marco Zanini wanted to capture Elsa Schiaparelli’s spirit and her eclectic personality in this collection. Schiaparelli’s soul is rendered through hand-painted prints, bold motifs, elaborate embroideries, clashing colours contrasting pastels and neutrals, masculine tailoring, languid draping and exquisite jewelry. Each element of the collection may be worked individually or mixed altogether.

Appearances: Stella Tennant, Delfine Bafort, Imaan Hammam, Maja Salamon, Alexandra Martynova, Nika Cole, Jessica Stam, Anne-Catherine Lacroix, Aymeline Valade, Kati Nescher, Chrystele Saint Louis Augustin, Xiao Wen Ju, Auguste Abeliunaite, Maria Loks, Christina Kruse, Liisa Winkler, Hannelore Knuts, Kirsten Owen, Saskia de Brauw, Marco Zanini

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Admire a breathtaking revival of classical form and modern empowerment – watch the Christian Dior Fall/Winter 2026/27 Haute Couture showcase now on FashionTV!

Under the roof of a leafy hothouse constructed in the historic gardens of the Musee Rodin, Jonathan Anderson delivered his highly anticipated sophomore haute couture collection for Christian Dior on July 6, 2026. Stepping firmly into the spotlight following Maria Grazia Chiuri’s historic tenure, Anderson has established a radical new creative direction for the house – one that directly treats the discipline of haute couture as an artistic laboratory.

For the fall/winter 2026/27 season, Anderson staged an ambitious, visceral dialogue between fine art and fashion, taking the pioneering, fluid sculptures of American feminist artist Lynda Benglis as his ultimate creative catalyst. The runway, finished in a sleek, reflective black lacquer, was surrounded by dense green foliage, ferns, and exotic plantings meant to evoke Benglis’s personal gardens in New Mexico and India.

This natural, slightly untamed setting served as the perfect framework for a collection centered around the concept of “material in motion.” The ultimate litmus test for any designer entering the gates of 30 Avenue Montaigne is the reinvention of the iconic 1947 Bar Suit. Anderson’s brilliant solution was essentially to melt it down – stripping away the rigid internal padding and stiff corseting of old, and replacing them with sensuously draped, bias-cut shapes, fluid silk pajama-style sets, and featherweight knitted jackets that gave the female form absolute freedom of movement.

The 66 looks beautifully mirrored Benglis’s famous practice of converting two-dimensional materials into voluptuous, three-dimensional forms. Anderson toyed masterfully with the illusion of rigor and the poetry of fluid drapery. In a direct nod to the artist’s legendary use of chicken wire to mold heavy, poured materials, the Dior ateliers produced voluminous, jaw-dropping skirts constructed from silver metallic netting and crushed-foil-pleated silks that danced under the studio lights like liquid metal.

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