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Super Raid Kabaddi Video ЁЯШНЁЯдйтЬи kabaddi videos YouTube shorts || by ADT Shorts

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Kabaddi is a contact team sport.[1] Played between two teams of seven players, the objective of the game is for a single player on offence, referred to as a “raider”, to run into the opposing team’s half of a court, tag out as many of their defenders as possible, and return to their own half of the court, all without being tackled by the defenders, and in a single breath.[2] Points are scored for each player tagged by the raider, while the opposing team earns a point for stopping the raider. Players are taken out of the game if they are tagged or tackled, but are brought back in for each point scored by their team from a tag or tackle.

It is popular in the Indian subcontinent and other surrounding Asian countries. Although accounts of kabaddi appear in the histories of ancient India, the game was popularised as a competitive sport in the 20th century. It is the national sport of Bangladesh. It is the state game of the Indian states of Andhra Pradesh, Bihar, Haryana, Karnataka, Kerala, Maharashtra, Odisha, Punjab, Tamil Nadu, Telangana, and Uttar Pradesh.[3]

There are two major disciplines of kabaddi: “Punjabi kabaddi”, also referred to as “circle style”, comprises traditional forms of the sport that are played on a circular field outdoors, while the “standard style”, played on a rectangular court indoors, is the discipline played in major professional leagues and international competitions such as the Asian Games.

The game is known by numerous names in different parts of South Asia, such as: kabaddi or chedugudu in Andhra Pradesh and Telangana; kabaddi in Maharashtra, Karnataka and Kerala; kabadi or ha-du-du in Bangladesh; bhavatik in Maldives, kauddi or kabaddi in the Punjab region; hu-tu-tu in Western India, hu-do-do in Eastern India; chadakudu in South India; kapardi in Nepal; and kabadi or sadugudu in Tamil Nadu

рдХрдмрдбреНрдбреА рдПрдХ рдЦреЗрд▓ рд╣реИ, рдЬреЛ рдореБрдЦреНрдп рд░реВрдк рд╕реЗ рднрд╛рд░рддреАрдп рдЙрдкрдорд╣рд╛рджреНрд╡реАрдк рдореЗрдВ рдЦреЗрд▓реА рдЬрд╛рддреА рд╣реИред рдХрдмрдбреНрдбреА рдирд╛рдо рдХрд╛ рдкреНрд░рдпреЛрдЧ рдкреНрд░рд╛рдп: рдЙрддреНрддрд░ рднрд╛рд░рдд рдореЗрдВ рдХрд┐рдпрд╛ рдЬрд╛рддрд╛ рд╣реИ, рдЗрд╕ рдЦреЗрд▓ рдХреЛ рджрдХреНрд╖рд┐рдг рдореЗрдВ рдЪреЗрдбреБрдЧреБрдбреБ рдФрд░ рдкреВрд░реНрд╡ рдореЗрдВ рд╣реБ рддреВ рддреВ рдХреЗ рдирд╛рдо рд╕реЗ рднреА рдЬрд╛рдирддреЗ рд╣реИрдВред рдпрд╣ рдЦреЗрд▓ рднрд╛рд░рдд рдХреЗ рдкрдбрд╝реЛрд╕реА рджреЗрд╢ рдиреЗрдкрд╛рд▓, рдмрд╛рдВрдЧреНрд▓рд╛рджреЗрд╢, рд╢реНрд░реАрд▓рдВрдХрд╛ рдФрд░ рдкрд╛рдХрд┐рд╕реНрддрд╛рди рдореЗрдВ рднреА рдЙрддрдирд╛ рд╣реА рд▓реЛрдХрдкреНрд░рд┐рдп рд╣реИред рддрдорд┐рд▓, рдХрдиреНрдирдбрд╝ рдФрд░ рдорд▓рдпрд╛рд▓рдо рдореЗрдВ рдпреЗ рдореВрд▓ рд╢рдмреНрдж, (роХрпИ-рокро┐роЯро┐) “рдХреИ” (рд╣рд╛рде), “рдкрд┐рдбрд┐” (рдкрдХрдбрдирд╛) рдХрд╛ рд░реВрдкрд╛рдВрддрд░рдг рд╣реИ, рдЬрд┐рд╕рдХрд╛ рдЕрдиреБрд╡рд╛рдж рд╣реИ ‘рд╣рд╛рде рдкрдХрдбреЗ рд░рд╣рдирд╛’ред рдХрдмрдбреНрдбреА, рдмрд╛рдВрдЧреНрд▓рд╛рджреЗрд╢ рдХрд╛ рд░рд╛рд╖реНрдЯреНрд░реАрдп рдЦреЗрд▓ рд╣реИред рдЗрд╕ рдореИрдЪ

рдирд┐рдпрдо

рд╕рд╛рдзрд╛рд░рдг рд╢рдмреНрджреЛрдВ рдореЗрдВ рдЗрд╕реЗ рдЬреНрдпрд╛рджрд╛ рдЕрдВрдХ рд╣рд╛рд╕рд┐рд▓ рдХрд░рдиреЗ рдХреЗ рд▓рд┐рдП рджреЛ рдЯреАрдореЛрдВ рдХреЗ рдмреАрдЪ рдХреА рдПрдХ рд╕реНрдкрд░реНрдзрд╛ рдХрд╣рд╛ рдЬрд╛ рд╕рдХрддрд╛ рд╣реИред рдЕрдВрдХ рдкрд╛рдиреЗ рдХреЗ рд▓рд┐рдП рдПрдХ рдЯреАрдо рдХрд╛ рд░реЗрдбрд░ (рдХрдмрдбреНрдбреА-рдХрдмрдбреНрдбреА рдмреЛрд▓рдиреЗ рд╡рд╛рд▓рд╛) рд╡рд┐рдкрдХреНрд╖реА рдкрд╛рд▓реЗ (рдХреЛрд░реНрдЯ) рдореЗрдВ рдЬрд╛рдХрд░ рд╡рд╣рд╛рдВ рдореМрдЬреВрдж рдЦрд┐рд▓рд╛рдбрд┐рдпреЛрдВ рдХреЛ рдЫреВрдиреЗ рдХрд╛ рдкреНрд░рдпрд╛рд╕ рдХрд░рддрд╛ рд╣реИред рдЗрд╕ рджреМрд░рд╛рди рд╡рд┐рдкрдХреНрд╖реА рдЯреАрдо рдХреЗ рд╕реНрдЯрд╛рдкрд░ (рд░реЗрдбрд░ рдХреЛ рдкрдХрдбрд╝рдиреЗ рд╡рд╛рд▓реЗ) рдЕрдкрдиреЗ рдкрд╛рд▓реЗ рдореЗрдВ рдЖрдП рд░реЗрдбрд░ рдХреЛ рдкрдХрдбрд╝рдХрд░ рд╡рд╛рдкрд╕ рдЬрд╛рдиреЗ рд╕реЗ рд░реЛрдХрддреЗ рд╣реИрдВ рдФрд░ рдЕрдЧрд░ рд╡рд╣ рдЗрд╕ рдкреНрд░рдпрд╛рд╕ рдореЗрдВ рд╕рдлрд▓ рд╣реЛрддреЗ рд╣реИрдВ рддреЛ рдЙрдирдХреА рдЯреАрдо рдХреЛ рдЗрд╕рдХреЗ рдмрджрд▓реЗ рдПрдХ рдЕрдВрдХ рдорд┐рд▓рддрд╛ рд╣реИред рдФрд░ рдЕрдЧрд░ рд░реЗрдбрд░ рдХрд┐рд╕реА рд╕реНрдЯрд╛рдкрд░ рдХреЛ рдЫреВрдХрд░ рдЕрдкрдиреЗ рдкрд╛рд▓реЗ рдореЗрдВ рдЪрд▓рд╛ рдЬрд╛рддрд╛ рд╣реИ рддреЛ рдЙрд╕рдХреА рдЯреАрдо рдХреЗ рдПрдХ рдЕрдВрдХ рдорд┐рд▓ рдЬрд╛рддрд╛ рдФрд░ рдЬрд┐рд╕ рд╕реНрдЯрд╛рдкрд░ рдХреЛ рдЙрд╕рдиреЗ рдЫреБрдЖ рд╣реИ рдЙрд╕реЗ рдирд┐рдпрдордд: рдХреЛрд░реНрдЯ рд╕реЗ рдмрд╛рд╣рд░ рдЬрд╛рдирд╛ рдкрдбрд╝рддрд╛ рд╣реИред рдХрдмрдбреНрдбреА рдореЗрдВ 12 рдЦрд┐рд▓рд╛рдбрд╝реА рд╣реЛрддреЗ рд╣реИрдВ рдЬрд┐рд╕рдореЗрдВ рд╕реЗ 7 рдХреЛрд░реНрдЯ рдореЗрдВ рд╣реЛрддреЗ рд╣реИрдВ рдФрд░ 5 рд░рд┐рдЬрд╝рд░реНрд╡ рд╣реЛрддреЗ рд╣реИрдВ редрдХрдмрдбреНрдбреА рдХреЛрд░реНрдЯ рдбреЙрдЬ рдмреЙрд▓ рдЧреЗрдо рдЬрд┐рддрдирд╛ рдмрдбрд╝рд╛ рд╣реЛрддрд╛ рд╣реИредрдХреЛрд░реНрдЯ рдХреЗ рдмреАрдЪреЛрдмреАрдЪ рдПрдХ рд▓рд╛рдЗрди рдЦрд┐рдВрдЪреА рд╣реЛрддреА рд╣реИ рдЬреЛ рдЗрд╕реЗ рджреЛ рд╣рд┐рд╕реНрд╕реЛрдВ рдореЗрдВ рдмрд╛рдВрдЯрддреА рд╣реИред рдХрдмрдбреНрдбреА рдорд╣рд╛рд╕рдВрдШ рдХреЗ рд╣рд┐рд╕рд╛рдм рд╕реЗ рдХреЛрд░реНрдЯ рдХрд╛ рдорд╛рдк 13 рдореАрдЯрд░ ├Ч 10 рдореАрдЯрд░ рд╣реЛрддрд╛ рд╣реИред

рднреНрджреНрдлреНрдЧреНрдЭреНрдЧреНрдмреНрдЫреН рдЦрд┐рд▓рд╛рдбрд┐рдпреЛрдВ рдХреЗ рдкрд╛рд▓реЗ рдореЗрдВ рдЖрдиреЗ рдХреЗ рдмрд╛рдж рдЯреЙрд╕ рдЬреАрддрдиреЗ рд╡рд╛рд▓реА рдЯреАрдо рд╕рдмрд╕реЗ рдкрд╣рд▓реЗ рдЕрдкрдирд╛ рдЦрд┐рд▓рд╛рдбрд╝реА (рд░реЗрдбрд░) рд╡рд┐рдкрдХреНрд╖реА рдкрд╛рд▓реЗ рдореЗрдВ рднреЗрдЬрддреА рд╣реИред рдпрд╣ рд░реЗрдбрд░ рдХрдмрдбреНрдбреА-рдХрдмрдбреНрдбреА рдмреЛрд▓рддреЗ рд╣реБрдП рдЬрд╛рддрд╛ рд╣реИ рдФрд░ рд╡рд┐рдкрдХреНрд╖реА рдЦрд┐рд▓рд╛рдбрд┐рдпреЛрдВ рдХреЛ рдЫреВрдиреЗ рдХрд╛ рдкреНрд░рдпрд╛рд╕ рдХрд░рддрд╛ рд╣реИрдВ редрд╡рд╣ рдЕрдкрдиреА рдЪрдкрд▓рддрд╛ рдХрд╛ рдЙрдкрдпреЛрдЧ рдХрд░ рд╡рд┐рдкрдХреНрд╖реА рдЦрд┐рд▓рд╛рдбрд┐рдпреЛрдВ (рд╕реНрдЯрд╛рдкрд░реЛрдВ) рдХреЛ рдЫреВрдиреЗ рдХрд╛ рдкреНрд░рдпрд╛рд╕ рдХрд░ рд╕рдХрддрд╛ рд╣реИред рдЗрд╕ рдкреНрд░рдХреНрд░рд┐рдпрд╛ рдореЗрдВ рдЕрдЧрд░ рд╡рд╣ рд╡рд┐рдкрдХреНрд╖реА рдЯреАрдо рдХреЗ рдХрд┐рд╕реА рднреА рд╕реНрдЯрд╛рдкрд░ рдХреЛ рдЫреВрдиреЗ рдореЗрдВ рд╕рдлрд▓ рд╣реЛрддрд╛ рд╣реИ рддреЛ рдЙрд╕ рд╕реНрдЯрд╛рдкрд░ рдХреЛ рдорд░рд╛ рд╣реБрдЖ (рдбреЗрдб) рд╕рдордЭ рд▓рд┐рдпрд╛ рдЬрд╛рддрд╛ рд╣реИред рдРрд╕реЗ рдореЗрдВ рдЙрд╕ рд╕реНрдЯрд╛рдкрд░ рдХреЛ рдХреЛрд░реНрдЯ рд╕реЗ рдмрд╛рд╣рд░ рдЬрд╛рдирд╛ рдкрдбрд╝рддрд╛ рд╣реИред рдФрд░ рдЕрдЧрд░ рд╕реНрдЯрд╛рдкрд░реЛрдВ рдХреЛ рдЫреВрдиреЗ рдХреА рдкреНрд░рдХреНрд░рд┐рдпрд╛ рдореЗрдВ рд░реЗрдбрд░ рдЕрдЧрд░ рд╕реНрдЯрд╛рдкрд░реЛрдВ рдХреА рдЧрд┐рд░рдлреНрдд рдореЗрдВ рдЖ рдЬрд╛рддрд╛ рд╣реИ рддреЛ рдЙрд╕реЗ рдорд░рд╛ рд╣реБрдЖ (рдбреЗрдб) рдорд╛рди рд▓рд┐рдпрд╛ рдЬрд╛рддрд╛ рд╣реИред рдпрд╣ рдкреНрд░рдХреНрд░рд┐рдпрд╛ рджреЛрдиреЛрдВ рдЯреАрдореЛрдВ рдХреА рдУрд░ рд╕реЗ рдмрд╛рд░реА-рдмрд╛рд░реА рдЪрд▓рддреА рд░рд╣рддреА рд╣реИред

рдЗрд╕ рддрд░рд╣ рд╕реЗ рд╣рд░ рджрд▓ рдХрд╛ рдЦрд┐рд▓рд╛рдбрд╝реА рдмрд╛рд░реА рдмрд╛рд░реА рд╕реЗ рдХреНрд░рдо рдмрджрд▓рддреЗ рд░рд╣рддреЗ рд╣реИрдВ рдФрд░ рдЕрдВрдд рдореЗрдВ рдЬрд┐рд╕рдХреЗ рджрд▓ рдореЗрдВ рд╕рдмрд╕реЗ рдЬреНрдпрд╛рджрд╛ рд╕рджрд╕реНрдп рдмрдЪреЗ рд░рд╣ рдЬрд╛рддреЗ рд╣реИрдВ рдЙрд╕ рджрд▓ рдХреЛ рд╡рд┐рдЬреЗрддрд╛ рдШреЛрд╖рд┐рдд рдХрд░ рджрд┐рдпрд╛ рдЬрд╛рддрд╛ рд╣реИред

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FashionTV I FTV.com – Dreamgirls (Lingerie Show)

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FashionTV I FTV.com -Dreamgirls – sexy and hot Lingerie Show, Stockings and hot Models.

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Elisabetta Franchi: Second Skin Sensuality for S/S 27 | Milan Fashion Week

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Elisabetta Franchi
spring/summer 2027
ready-to wear collection
Milan Fashion Week
#Elisabetta Franchi #SS27 #MFW

Discover how Elisabetta Franchi is shifting the paradigm of power dressing for S/S 27 – watch the show on FashionTV!

Sensuality takes on a bold new dimension as Elisabetta Franchi unveils her spring/summer 2027 collection at Milan Fashion Week. Grounded in captivating contrasts, the presentation explores the delicate balance between structural rigor and alluring transparency, where coverage and exposure dance in complete harmony.

Leaving predictable codes behind, the silhouette shifts focus to framed shoulders and exposed collarbones, setting a new tone for modern power dressing. The collection centers on the concept of a second skin – transforming sheer tights into sculptural dresses, skirts, and opera gloves that embrace the bodyтАЩs contours.

Architectural maxi blazers, trench coats, and signature corsets feature athletic touches like cycling shorts and liquid-shine leather, seamlessly elevating daytime staples into glamorous eveningwear.

Rich textures steal the show: micro-jaguar motifs collide with oversized sequins, eel-printed leather, and cascading ruched jersey, set against a sophisticated palette of warm camel, deep tobacco, midnight black, and striking Red Velvet.

Designed for the cosmopolitan, confident woman, Elisabetta FranchiтАЩs S/S 27 collection stands as an unapologetic celebration of strength, grace, and Italian sartorial mastery.

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Emma DтАЩArcy Leads Nan GoldinтАЩs Raw Denim Campaign for Acne Studios

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#acnestudios #emmadarcy

Witness thirty years of denim legacy – experience Emma DтАЩArcy through the raw lens of Nan Goldin in Acne StudiosтАЩ 30th-anniversary campaign on FashionTV!

To celebrate three decades of boundary-pushing design, Acne Studios returns to its foundational element – denim – with a landmark 30th-anniversary campaign shot by legendary photographer Nan Goldin.

Completing a lineup of close brand collaborators, actor Emma DтАЩArcy steps into the spotlight as the campaignтАЩs final, magnetic face. Shot with GoldinтАЩs signature raw intimacy, DтАЩArcy captures the gritty, authentic spirit of creative director Jonny JohanssonтАЩs universe.

Instead of polished fashion portraiture, the campaign strips away pretense to focus on real personal connection, highlighting how Acne StudiosтАЩ signature denim remains an enduring, second-skin canvas for modern cultural icons.

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GISELA: Ocean Whispers & Golden Hours for S/S 27 | Gran Canaria Swim Week

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Gisela
swimwear & resort collection
S/S 27
Gran Canaria Swim Week
#Gisela #swimwear #GCSW

Sun-kissed silhouettes, vibrant prints, and effortless beachwear – enjoy Gisela S/S 2027 on FashionTV!

Taking center stage at Gran Canaria Swim Week 2026 – Europe’s premier international runway event for resort and beachwear – Spanish label Gisela unveiled a captivating collection that seamlessly bridges intimate comfort with effortless coastal sophistication.

Set against the sun-drenched backdrop of the Canary Islands, the presentation celebrated the natural beauty of the female form through lightweight, body-conscious tailoring and refined poolside elegance. The collection effortlessly weaves vibrant tropical colorways and soft Mediterranean hues with GiselaтАЩs signature mastery of fit and technical construction.

Fluid cover-ups, high-waisted bikinis, and sleek one-pieces featured intricate drapery, sheer mesh overlays, and subtle shimmer textures designed to transition effortlessly from morning dips to sunset lounge gatherings.

Emphasizing comfort without sacrificing allure, GiselaтАЩs 2026 showcase highlights an empowering vision of summer style rooted in confidence, movement, and resort-ready versatility.

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Exclusive: ANTONIO MARRAS Reveals the Sardinian Soul Behind His S/S 27 Collection on FashionTV

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Antonio Marras
spring/summer 2027
ready-to wear collection
Milan Fashion Week
#AntonioMarras #S/S27 #MFW #BTS
Go behind the scenes with Antonio Marras – watch the S/S 2027 Milan runway show and exclusive backstage interview now on FashionTV!

Bringing his signature narrative-driven artistry to Milan Fashion Week, Antonio Marras unveiled a S/S 2027 collection that stood as a passionate homage to Sardinian storytelling, theatrical romance, and time-honored craftsmanship.

The runway transformed into a vivid tapestry of contrasting textures, where intricate jacquards, delicate floral lace, utility outerwear, and hand-embroidered details collided in an unapologetic celebration of poetic eccentricity.

In an exclusive backstage interview with FashionTV moments before the show, the legendary Italian designer opened up about the collection’s deep emotional roots.

Marras shared how nostalgic family archives, traditional island folklore, and memory inspired the season’s layered silhouettes and artful juxtapositions.

“”Every garment carries a story waiting to be told,”” Marras reflected backstage, detailing his process of blending raw, unrefined textiles with gilded embellishments to create a modern wardrobe that honors past heritage while looking fearlessly toward the future.

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