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http://www.FashionTV.com/videos MILAN – The colorful people are out in abundance at the Dsquared2 show during Milan Fashion Week Fall/Winter 2012-2013. Lime green pants, colored fur, and turquoise clutches are all seen here. Anna Dello Russo is spotted in the crowd, wearing her trademark veil with a ski cap. After the show, FashionTV speaks to American model Jasmine Tookes, who hails from California. Also noted: Model Cara Delevingne doing a video interview in the background, still in her Dsquared2 hair and makeup and wearing a D.A.R.E. t-shirt. “The theme was high school, kind of prom. It was awesome,” says Tookes. Tookes reveals she had a wig on for the show.

Appearances: Anna Dello Russo, Jasmine Tookes, Cara Delevingne

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Backstage at Caternity Tang Jie Spring/Summer 2013 | MB Fashion Week China
http://www.FashionTV.com/videos BEIJING – FashionTV is backstage at the Tangjie show for Spring/Summer 2013 at Mercedes-Benz Fashion Week China, where the models have intricate and stylish dresses and some of the models’ hair look like separate, extravagant headpieces.

Fashion – Spring Water, for Babies to Billionaires http://www.fashionwater.com/

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WORLD – Check out the best of Haute Couture from Spring/Summer 2018 and prepare for much much more very soon1

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FashionTV’s network brings you fashion in new and imaginative ways every day online! From the front row of fashion’s biggest shows and runways, to highlights of all the best fashion stories from around the world, to the gorgeous models that make the industry tick, FashionTV is there to bring them to you first! The total source for worldwide fashion coverage, FashionTV has new uploads every day with 24/7 access to content for all your fashion and style needs. Join our online network and SEE it first on DailyMotion with FTV!

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Witness the full transformation of Gaultier’s most iconic codes in the fall/winter 2026-2027 show presented at Paris Fashion Week! Creative director Duran Lantink delivers a masterful second collection for the House of Gaultier, transforming the runway into a high-stakes casting call of subversive characters. Inspired by a vintage mesh T-shirt featuring the legendary Marlene Dietrich, Lantink channels her “caress and whip” energy to blend sweet grace with dominant disruption. The collection is a playground of hybrids: detectives, ravers, cowboys, and Fifth Avenue bankers all collide in a world where tailoring, sportswear, and “inside-out” philosophy reign supreme. Lantink’s approach stays true to his roots in upcycling and transformation, treating the Gaultier archives like a living organism. Key historical elements are resurrected and reimagined: the gathered waist of a 2016 pinstripe suit evolves into sculptural experiments, while a cropped bomber from the 80s returns alongside Fair Isle knits from 1990 repurposed as sleek base layers. The collection even flirts with Futurism and the bizarre, morphing rubber car tires into accessories and nodding to Pierre Cardin’s sculptural legacy. By turning the archive inside out – both literally and figuratively – Lantink proves that at the House of Gaultier, the only rule is the freedom to play.

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Explore the spring/summer 2026 haute couture show of Schiaparelli to truly witness the evolution of haute couture unveiled at Paris Fashion Week! This season, the Maison abandons the rigid, analytical question of what a garment should look like for the visceral, heartbeat-driven inquiry of how it feels to create it. The result is a collection that vibrates with “The Agony and The Ecstasy,” a commingling of the terrible and the exquisite that mirrors the wild, vulnerable human condition. The silhouettes of this collection are defined by a sense of dangerous beauty, with venom woven into the very seams. Roseberry introduces a new archetype of couture – the “Infantas Terribles” – reptilian and arachnid creatures that transform into heroes of the sky. Sharp strokes and rapid squiggles become scorpion tails, while stingers and snake teeth are reimagined as architectural triumphs. These birds of flight defy gravity through an explosive use of color and form, ranging from the vibrant pinks and saffron of birds of paradise to the deep, haunting shadows of the deep sea. This creative freedom is anchored by the absolute rigor of the Schiaparelli ateliers, who have pushed the medium to its technical limits. Hand-cut lace is rendered as a 3D bas-relief to create depth and shadow, while feathers, both real and trompe l’oeil silk bouquets, are hand-painted or dipped in resin and crystals. The “Isabella Blowfish” suit, a masterpiece of tulle and organza dusted with crystal shadows and finished with organza spikes, exemplifies this marriage of structure and fantasy. Every look pays homage to Elsa Schiaparelli’s fascination with animal life, using resin beaks and pearl eyes to create artificial bird-head sculptures that honor the majesty of nature without harming any animals.

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